IML 101: The Languages of New Media Introduction: The Stakes of Multimedia
Slide 2What " s in question? History 2. Subjectivity 3. Representation
Slide 3What " s in question? History How would we consider the past? What do we recall about the past? How would we develop the past in the present? Why is the past essential?
Slide 4Odilon Redon Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity Guy Maddin
Slide 5How would we discuss a craftsmanship? Assess 2. Portray 3. Decipher
Slide 6How would we discuss a fine art? Assess -great/awful/pleasant 2. Depict -formal angles/creation/feel 3. Decipher -comprehend different levels of significance -interpret belief system
Slide 7What " s in question? 2. Subjectivity (Race, class, sex) Who are we? How would we see and consider the world? How are we characterized through innovation? Who would we like to be?
Slide 8Ann Lee Ann Lee You Proposes Dr. Frankenskippy
Slide 9What " s in question? 3. Representation How would we demonstrate the world and individuals in it? How does the world show us? How are force relations communicated through representational frameworks? How would we get to be makers as opposed to unimportant customers of visual society?
Slide 10Star Guitar Star Guitar - The Chemical Brothers Michel Gondry
Slide 11The IML and its technique rise at the convergence of four hypothetical customs
Slide 12Art history & Visual culture expressive arts, photography, visual communication
Slide 13Cinema contemplates visual and sound outline, account hypothesis
Slide 14Electronic media broadcast/radio/TV/media communications
Slide 15Digital society PCs, intelligent media, diversions, systems
Slide 16History/Historiography History that is reluctant, even wary, about the procedure of its own development
Slide 17Critical interactive media/Meta-basic sight and sound Research-based mixed media that is completely aware of the instruments and methodologies by which it is made