Raising Arizona.


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Joel Coen:
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Slide 1

Raising Arizona The Coen Brothers: Joel and Ethan

Slide 2

Joel Coen: "You begin with things that are fantastically unmistakable in one structure, and they you play with them."

Slide 3

Joel and Ethan Coen "they talk with a solitary innovative voice . . . as a \'two-man biological system\'" Function reciprocally on the set and cooperate each progression of the filmmaking procedure Joel named as chief Ethan named as maker Roderick Jaynes: nom de plume their publication work Writers: "Their screenplays are famous for their consideration regarding such generation components as set outline, camera points and development, and encircling… their scripts figure out how to pass on a distinctive feeling of the completed film." Work with a standard cast of associates and on-screen characters who "can feel their way through it, sort of like (the Coens) can."

Slide 4

Storyboarding—Todd Anderson The Coens\' obsessive commitment to this practice is fanciful. They storyboard broadly; generally little camera scope or discourse is extemporized on their sets. Practical—expands the preservation of time and cash Joel Coen: "The best way to make a better than average motion picture for no cash is to be, extremely arranged, and to have the capacity to answer particular inquiries concerning what you have to see and what you don\'t have to see—and in this manner, what you have to burn through cash on and what you don\'t have to burn through cash on."

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Wikiuniversity Film School: http://en.wikiversity.org/wiki/Lesson:Thumbnail_Storyboard Dummies.com: http://www.dummies.com/how-to/substance/storyboarding-your-film.html 4 minute film school: http://www.youtube.com/watch?v=e-yeI83fN6s Storyboarding A productive approach to impart their thoughts to the general population with whom they team up, which thusly takes into consideration more prominent readiness on their parts. Storyboards, Inc.: http://www.storyboardsinc.com/index.shtml

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Raising Arizona Voice-over portrayal Storyteller\'s intercession is unexpectedly inconsistent with the story world condition Juxtaposition of subjective perspective of account with the target perspective of the camera makes amusingness

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Clichéd Characters are tragicomically straightforward in their connections to the social representations that rule their lives Encapsulates a period of American emergency: Regenomics & the devastation of the family Their self-personalities begin in the generalizations, pictures, and expressions they have appropriated from different mass social sources. H. I. McDunnough: Narrator/hero exists most completely in the dialect he uses to depict his reality Cartoon universe spoke to by tatoo he imparts to the biker Recidivism & Regeanomics: the interminable propensity toward reiteration of criminal or reserved conduct designs created by political atmosphere Ed Drill Sergeant Attitude: Female cop in a man\'s reality Victim of Infertility: Heightened response to her barrenness Kidnapper keen on adjusting the balances of equity: Fervent, felonious drive toward parenthood Mother guarding the sacredness of the "family"

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Esthetic Paradigm: Cartoon Color Palette Woody Woodpecker: http://video.google.com/videosearch?q=woody+woodpecker&rls=com.microsoft:en-us:IE-SearchBox&oe=UTF-8&sourceid=ie7&rlz=1I7ADBR_en&um=1&ie=UTF-8&ei=deOhSYbDG56Dtwfsh836DA&sa=X&oi=video_result_group&resnum=8&ct=title#

Slide 19

Credits Russell, Carolyn R. The Films of Joel and Ethan Coen