Ska.


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The guitar then stresses the up of the second, third and fourth beats. ... nation was humming with the jazz-calypso blend, and with the endorsement ...
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Slide 1

Ska From Island to Mainland

Slide 2

Definition of Ska is a combination. It joins a particular Jamaican mento people musicality with R&B. At that point the drums come in on the second and fourth thumps which conveys the "American" feel. The guitar then accentuates the up of the second, third and fourth beats. This is the thing that conveys the Jamaican Mento sound. Ska as we probably am aware it today

Slide 3

Three Waves Ska has shown up on the world music scene three times The first was in the late 1950s in Jamaica when it was created The second was in the late 1970s in England when it transformed with different styles The third was in the 1990s in America when it intertwined with "American Style" rock to frame "American Ska - Punk"

Slide 4

The Roots In the 20s, 30s and 40s, Mento groups played at social capacities in Jamaica These were nearby, country groups who played instruments which voyaged well (bongos, guitars, African guitars, and so on) A mix of African cadence and European tunes, the verses for Mento tunes have roots in subjugation

Slide 5

Airwaves As the Mento sound got to be "old" the Jamaican individuals started searching for another sound Radio stations from Orlando and New Orleans could be heard faintly on the radios on the island The general population adored the huge band Jazz sound leaving the United States

Slide 6

Traveling Music The Mento sound was mixed with the huge band jazz sound and the early types of ska were conceived The principal early record makers made recordings of the ska sound and played them on voyaging speakers/sound frameworks This innovation is a HUGE advancement for the institutionalization of music on the island It conveyed the music to the general population, all the general population

Slide 7

Classes Clash Jamaica had three extremely unmistakable classes amid the center of the century The high society knew nothing and watched over ska The white collar class began to get in with the general mish-mash of the enormous band jazz with the neighborhood calypso feel of ska The least class blossomed with the beat and took up the verses as a hymn

Slide 8

Rude Boys The "Discourteous Boys" were a harsh edged gathering of out of work, insubordinate young men who went from gathering to party destroying the clubs The verses of ska in this period are worked around the life of the Rude Boys as they responded against monetary strains The way the Rude Boys moved ("running man" crossed with boxing) put forth a solid expression, and the Ska music, on turn, got to be more grounded and more tense The Rude Boys are an essential piece of Ska history—they speak to the significant social foce which drove and reflected the ska development and message

Slide 9

Independence! In 1963, Jamaica turned into a free nation, no more a British Provence The nation was searching for a personality, images, and its own fare Ska fit the bill! The nation was humming with the jazz-calypso blend, and with the endorsement of the legislature, ska music was delivered and conveyed to America and Europe as an extraordinarily Jamaican creation

Slide 10

It Fades Not long after Jamaica asserted ska as its own, the brilliance started to blur The general population tired of the beat and started swinging to reggae/rocksteady beats The roots were planted however, and it wouldn\'t be much sooner than ska, and its ideas, discovered their approach to another landmass

Slide 11

Immigration Brings Music In the 1960s, Jamaica was creating itself as a recently framed nation As individuals moved out, they brought their island society with them and spread it around the globe They acquired ska to England the mid 1960s, and new roots were conceived!

Slide 12

Late 70s After a calm period (however not dead), ska reemerged in England in the late 70s Bands started reproducing the jazz-calypso beat and intersection it with more current instruments and sounds Though the sound didn\'t change much, the message did—it turned out to be socially spurred by the times and structure in England YouTube - Ska special...from Jamaica to the U.K.

Slide 13

Clothing, Labels and Messages Ska turned into a genuine blending pot that spoke to the get-togethers of the time The idea of the "Impolite Boys" returned, and there were fights between the \'white collar class\' and the \'lower class/Rude Boys\' at shows. This may have been one reason for the reduction of ska (venues turned out to be progressively more hard to discover) The groups were regularly of blended race and conveyed the "blending" topic with their blended shading (two tone) suits These "Two Tone" suits offered ascend to the "Two Tone" recording mark

Slide 14

The Specials One of the greatest Ska groups in England amid the second rush of Ska was"The Specials" Their lead vocalist established the Two Tone record name and made and created a considerable measure of ska records This form of ska started to mix a stone beat and also more metal and horns to give it an upgraded yet at the same time exceptionally unmistakable feel The music gave them a voice and the masses tuned in!

Slide 15

Nelson Mandela The Two Tone name recorded for the most part ska groups, however they likewise did some work for the early Elvis Costello record Because of the dark white association and also the center low class conflict of the music and society, they could tackle significant social subjects One of the greatest recordings was "Nelson Mandela" which required the arrival of Mandela and seethed against Apartheid

Slide 16

Too "Nearby" The verses and social issues reflected in the ska development were seen as "excessively English" by the Americans notwithstanding the verses not fitting American occasions, the US was gotten up to speed in the stone and move rage of the 60s and 70s (and to some degree the 80s). There was no space for the calypso-jazz mix The ska marvel did not get on in America largy amid the 70s and mid 80s It took an additional fifteen years before the US was prepared for our own particular ska intrusion

Slide 17

Style and Morph Ska did not make it to the US in one piece when it at long last landed in the late 1990s There have been branches and morphings of the sound While there are some who play ska in configurations near its unique sound , there is a harder " ska - center " sound that is intensely impacted by punk music Another branch of ska mixes these two and has even done "spreads" of conventional shake and move melodies. Like this one by \'Reel Big Fish\'

Slide 18

Still in the wave The third wave has hit the United States and is starting to fade away The verses keep on being pushed by social causes and the requirement for a "voice" by an anonymous class It is still excessively near examine, in any case, on the grounds that the groups are as yet making and offering records Ska surged onto the scene in the late 1990s, yet it keeps on being a piece of the American culture today.

Slide 19

Concluding Thoughts Ska has roots in characterizing a nation\'s personality, history in forming a nation\'s thoughts, and is experiencing a transform and reshaping all its own particular Ska has gone through time on the wings of the way of life\'s have to build up a song of praise with a beat that nobody can oppose

Slide 20

Resources http://users.bigpond.net.au/lvisser/skahistory.html http://web.fccj.edu/~ivanhoof/ska/TheBeginning.html http://www.youtube.com

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