Test 10 minutes .

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Quiz 10 minutes. Please put away all information and take out a pen and paper. Write your name, Art 111, and today’s date on the paper.
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Test 10 minutes Please set away all data and take out a pen and paper. Compose your name, Art 111, and today\'s date on the paper.

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Identify : craftsman\'s full name, craftsman\'s nationality, title of work, medium, development. Compose as much as you can about the work\'s craft verifiable criticalness. Incorporate however many realities as could be expected under the circumstances, for example, different works by this craftsman, different craftsmen connected with this development, titles and writers of related readings.

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Tarsila do Amaral, Abaporu , oil, 1928, 33/29" present to spouse Oswald de Andrade who named it "man who eats" in the Tupi-Guarani Indian dialect. It propelled Andrade\'s "Anthropophagite pronouncement," human flesh consumption as the illustration for Brazil\'s absorption of European culture Influence of School of Paris present day craftsmanship

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The Mexican Mural Movement Los tres grandes : Diego Rivera, David Siquieros, José Orozco

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Mexican Revolution 1910-1920 Jose Vasconcelos Soldiers Emiliano Zapata (1887-1919) Pancho Villa (1877-1923)

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Diego Rivera ,(Mexican 1886-1957) The Architect, 1914 Compare Pablo Picasso , Three Musicians , 1921 "Investigative Cubism"

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Diego Rivera , Woman at the Well , 1913

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Diego Rivera, Zapatista Landscape – The Guerilla , 1915

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Rivera, Creation , 1922-23, encaustic (utilized blow burn) & gold leaf, National Preparatory School, Mexico City.

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Courtyard of the Ministry of Education, Mexico City

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Rivera at the Education Ministry with one of his paintings, 1924

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Rivera , Wall Street Banquet and Night of the Rich , frescos, Ministry of Education, Mexico City, 1927-8

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Rivera, Liberation of the Peon, 1931, fresco on board, Philadelphia MA

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Rivera , (left) with Frida Kahlo, 1930 The Protest 1928, fresco, detail, west divider yard Mexico City Ministry of Education

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Compare Rivera , Protest , fresco, Mexico City, 1923 and Giotto , Mourning of Christ, c. 1305, fresco, Cappella dell\'Arena, Padua

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"Giotto was a disseminator of the soul of Christianity, the weapon of the Franciscan friars of his time against medieval abuse, Bruegel [Flemish Northern Renaissance Painter, C.1525-1569] was an advocate of the battle of the Dutch artisan insignificant bourgeoisie against primitive persecution. Each craftsman who has been worth anything has been a disseminator. . . I need to be an advocate of Communism and I need to be it in all that I can think, in all that I can talk, in all that I can compose, and in all that I can paint. I need to utilize my craft as a weapon. . ." The Revolutionary Spirit in Modern Art , Diego Rivera, 1932

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Rivera , May Day Moscow , 1928, watercolor

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Rivera , May Day Moscow , 1928, watercolor

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Rivera , The History of Cuernavaca and Morelos , fresco, 1929-30, Cortez Palace, Cuernavaca, Mexico

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Rivera , The History of Cuernavaca and Morelos , fresco, detail, 1929-30, Cortez Palace, Cuernavaca, Mexico

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Rivera, Detroit Industry, fresco, 1933, Detroit Institute of Arts, north divider

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Detroit Industry south divider

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Rivera , Man at the Crossroads , focal area, fresco, 1934 – Palace of Fine Arts, Mexico City

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Rivera , The Making of a Fresco Showing the Building of a City , 1931, San Francisco Art Institute

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Rivera , Pan-American Unity: The Marriage of the Artistic Expression of the North and South of this Continent , City College of San Francisco, 1940

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SF City College fresco detail

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David Alfaro Siqueiros (Mexican, 1896-1974) at work on Tropical America, Oliveras Street, Los Angeles, 1932, fresco connected with compressed air firearm on bond, 19.7 ft x 98.4 ft

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Siqueiros, Tropical America, committed October 9, 1932 and whitewashed not exactly a year later. Overlooked for quite a long time and rediscovered in the late 1960s when the whitewash started to peel off. To begin with open air painting and model for muralism of the 1960s.

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David Alfaro Siquieros , Zapata , 1966, pyroxylin on masonite, Mexico City contrasted and Rivera , Agrarian Leader, Zapata, fresco, 7\'9" x 6\'2" NYC MoMA

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Siqueiros, Revolutionary on a Horse , 1957 Fresco, Museo Nacional de Historia, Mexico City

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Siqueiros , Don Porfirio & His Courtesans , 1957, fresco, Museo Nacional de Historia, Mexico City (INAH)

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Siqueiros , Echo of a Scream , 1937, lacquer on wood, 48/36" NYC MoMA

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Siqueiros , Ethnography , 1939, finish on arrangement board, 122/82 cm. NYC MoMA

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Jose Clemente Orozco (Mexican, 1883-1949) The Trench , 1926-7 fresco, National Prep. School, Mexico City

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Jose Clemente Orozco , The Franciscan , 1930, lithograph, NYC MoMA

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Jose Clemente Orozco, Zapatistas , 1931, 45/55" o/c, NYC MoMA

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Jose Clemente Orozco , Prometheus, 1930, gum based paint on masonite 61 cm, Museo de Arte Moderno, Mexico City. A rendition of the wall painting painted that year for Pomona College, California

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Orozco , Prometheus painting , Pomona College, 1930

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Orozco, two boards from Dartmouth College fresco, (left) Ancient Human Sacrifice and (right) Gods of the Modern World , 1932

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Orozco , Hispanoamerica & Angloamerica , boards of American Civilization fresco, 1932-4, Dartmouth College, New Hampshire

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Orozco , The Expulsion of Quetzalcoatl (detail), American Civilization Fresco, Dartmouth College Baker Library, New Hampshire 1932-4

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