Video out of execution workmanship.


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Video out of execution workmanship. Nam June Paik (American, b. Seoul, Korea, 1932 - 2006) Zen for Head , Fluxus execution, 1962. Nam June Paik , 1961 Fluxus Celebration of New Music, Weisbaden, German.
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Slide 1

Feature out of execution workmanship

Slide 2

Nam June Paik (American, b. Seoul, Korea, 1932 - 2006) Zen for Head , Fluxus execution, 1962

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Nam June Paik , 1961 Fluxus Festival of New Music, Weisbaden, German

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Shigeko Kubota (American b. Japan, 1937) performing her Vagina Painting , taken July fourth, 1965, New York City amid Perpetual Fluxus Festival (paint brush appended to groin)

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Nam June Paik and John Cage in Marcel Duchamp and John Cage Video by Shigeko Kubota , 1972 [still]

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Paik, (left) Zen for TV , 1963 (right) TV Buddha , 1974

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Marshall McLuhan Understanding Media , initially distributed in 1964 The period after World War-II in the US is viewed as the last and last conception of television.â  The blast of sets into the American commercial center happened in 1948-1949.

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Paik (left) started meddling with TV pictures in the mid 1960s; (right) TV Magnet , 1965 “Some day specialists will work with capacitors, resistors and semi-conveyors as they work today with brushes, violins and junk.” Paik

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Paik , (left) TV Bra for Living Sculpture, 1969; (right) Opera Sextronique with Charlotte Moorman (US 1931-1991), 1969

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(left) Mooreman, Paik, Joseph Beuys , Fluxus Action , 1966; (left) with Yoko Ono and John Lennon (1971); (right, underneath) Moorman performing Paik\'s Concerto for TV Cello and Videotapes (1971) at Galeria Bonino, New York, November 23, 1971;

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http://www.medienkunstnetz.de/meets expectations/worldwide forest/feature/1/Nam June Paik, Global Groove, 1974; Paik in studio of WGBH, which telecast Global Groove \'This is a look of a feature scene of tomorrow when you will have the capacity to switch on any TV station on the earth and TV aides will be as fat as the Manhattan phone directory.\' - Paik

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Paik, Video Fish , 1975, Three station feature establishment with aquariums, water, 45 live Japanese fish, Pompidou Center (Paris) gathering, 7 of 15 screens

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Video Flag , (1985-1996) 70 feature screens, 4 laser plate players, PC, clocks, electrical gadgets, wood and metal lodging on elastic wheels, 94 3/8 x 139 3/4 x 47 3/4 in.

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Nam June Paik as a team with Norman Ballard, Paul Garrin, David Hartnett, and Stephen Vitiello, Modulation in Sync , 2000. Three-channel feature and stereo sound establishment with 100 screens, seven projectors, two lasers, water, mirrors, projection screens, and metal structure, variable measurements

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Laurie Anderson (US b. 1947) Duets on Ice , execution in New York City and Genoa, Italy, 1973-4, playing Bach while wearing ice skates inserted in ice. At the point when ice softened the execution finished. Think about Edouard Manet The Old Musician , 1862, craftsman as vagabond, ragpicker, outsider

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Laurie Anderson , execution interactive media display, United States Part II , 1980 Single from the execution recording, “O Superman” hit #2 on the UK pop outlines. The Orpheum, New York; (right) collection spreads United States I-IV , 1984

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Anderson , United States Part I , 980, Orpheum Theater Multiple disjunctive stories. Voice through the harmonizer shifts from “voice of power (profound, manly) to female (her own). The lady over and again asks “Hello, pardon me, would you be able to let me know where I am?” The reaction is “You can read the signs.” http://video.google.com/videoplay?docid=-3307780879243212776&q=laurie+anderson&ei=tJUiSK36FYSIqgP2mpW2AQ

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Anderson’s United States Part I opens with her adjusted voice-of-power perusing: A certain American religious group has been taking a gander at states of the world amid the Flood. As per their counts, amid the Flood the winds, tides and streams were in a general southeasterly bearing. This would imply that all together for Noah\'s Ark to have wound up on Mount Ararat, it would need to have begun a few thousand miles toward the west. This would then find pre-Flood progress some place in the region of Upstate New York, and the Garden of Eden generally in New York City. Presently, with a specific end goal to get starting with one place then onto the next, something must move. Nobody in New York moved, and there are no hints of Biblical history in the Upstate New York zone. So we are directed to the main accessible conclusion in this time twist, and that will be that the Ark has just not left yet.

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(beneath right) Poster from Anderson ’s The Moon\'s End , 2005, BAM execution (top) at NASA as the agency’s first craftsman in-living arrangement, 2004

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Video execution: Bruce Nauman, Stamping in the Studio , 1968, an hour (portion, 5 minutes) From: Rewind: Video Art and Alternative Media in the United States 1968-1980 Media N 6494.V53 S97 1995 Program 2: “Investigations of the Phenomenal World: Space, Sound, and Light”

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Video execution: 1977 Martha Rosler, Vital Statistics of a Citizen, Simply Obtained 38 minutes “I did my best to intrude on voyeurism by having a long shot – a stationary shot that uniform the viewer and decreases parts of the character’s vicinity on the screen. It gets to be exhausting to take a gander at something without camera portability and without response shots. (Rosler, 1981) From: Rewind: Video Art and Alternative Media in the United States 1968-1980 Media N 6494.V53 S97 1995 Program 4: Gendered Confrontations

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Video execution: 1978 Nam June Paik, Merce by Merce by Paik 28 minutes A tribute to choreographer Merce Cunningham and craftsman Marcel Duchamp Video was choreographed for 2-D screen by Cunningham. Sound incorporates voices of John Cage and Jasper Johns. Section 2 is by Paik and Shigeko Kubota and incorporates montage-meeting with Marcel Duchamp and meeting in the middle of Cunningham and Leo Castelli. “I think I comprehend time superior to the feature specialists who originated from painting-model. Music is the control of time. Every single music structure have diverse structures and development. As painters comprehend conceptual space, I comprehend unique time. Nam June Paik, 1974 From: Rewind: Video Art and Alternative Media in the United States 1968-1980 Media N 6494.V53 S97 1995 Program 5: Perfor

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