Colour Overview of the Nusach for the Anglo Jewish Tradition

Colour Overview of the Nusach for the Anglo Jewish Tradition
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This overview by Dr Annette M Boeckler provides a comprehensive guide to the Nusach for the whole year in the Anglo Jewish tradition. It includes important notes on usage and customs specific to this tradition.

About Colour Overview of the Nusach for the Anglo Jewish Tradition

PowerPoint presentation about 'Colour Overview of the Nusach for the Anglo Jewish Tradition'. This presentation describes the topic on This overview by Dr Annette M Boeckler provides a comprehensive guide to the Nusach for the whole year in the Anglo Jewish tradition. It includes important notes on usage and customs specific to this tradition.. The key topics included in this slideshow are Nusach, Anglo Jewish tradition, liturgical traditions, leyning, Eastern European cantorial tradition,. Download this presentation absolutely free.

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1. Annette M. Boeckler 2014 HOME Colour Overview Overview of the Nusach for the whole year [ UK edition] Dr Annette M. Boeckler Based on a previous version Overzicht van alle noesach variaties developed by me for Het Levisson Instituut with Rabbijn David Lilienthal and Prof. Dr. Eli Schleifer 2014 1 Sacred Jewish Music Course UK Version: April 2, 2014 Please click the left button of YOUR MOUSE to start the slide show. [or press the enter key.] http://www.annette-boeckler.de/liturgie/liturgie.html

2. Annette M. Boeckler 2014 HOME Colour Overview Important Notes on usage This overview is made for the Anglo-Jewish tradition and reflects its customs and traditions. (It can therefore not simply be adapted to any other countrys traditions .) It reflects the customs of the Askenazi tradition. (The Spanish and Portuguese tradition is based on different principles, not this nusach system.) A specific of Anglo-Jewry is a mixture of Eastern and Western European liturgical traditions. Our leyning follows a Western European tradition; the davvening follows the Eastern European cantorial tradition (as does the majority of congregations in the USA and Israel). By clicking on the left mouse button or by pressing the enter key you can move to the next information. If you want to go back , press the return key on your keyboard. For each page there is a print version at the very back of this slide show. You can also open the print-version of a certain slide by clicking on print at the top of the slide. By clicking on HOME at the top right corner of each slide you open the content page. From here you can directly go to a certain service-overview. Just click on what you want. If you click on colour overview on the right bottom of each slide , you see the meaning of each colour used in this show. 2 Here will be the print button of the slides.

3. Annette M. Boeckler 2014 HOME Colour Overview colours used BASIC MODES (or steygers) Congregational MELODIES Ahawa Rabba Nusach Magein Avot Nusach Not Nusach Motives, but melodies in Minor Adonai Malach Nusach Not Nusach Motives, but melodies in Major COMPOSED MODES Yishtabach Mode Psalm Modes (a family of modes that include Hallel, Amidah for Festivals and High Holidays, Kerovah mode, Selichah mode containing time bound motives) Several High Holiday Motives (its too complicated to differentiate in this basic overview, there are different nuschaot in Shacharit, special ones for Selichot and Vidui, etc.) Shlosh Regalim Nusach (a very special version of the Psalm mode) Shabbat Mincha Nusach Weekday Nusach (Pentatonic) TUNES Mi Sinai Tunes (medieval compositions strongly attached to certain times and festivals, known all over Ashkenaz) Minhag HaMakom Tunes (only fixed in a special congregation or country, are as holy as Mi Sinai) Compositions (that means composed tunes which dont care about any nusach) OTHER read or in silence marks the special parts for the special event, after mouse click or enterkey 3

4. Annette M. Boeckler 2014 HOME Colour Overview content Click on the topic you want and youll be lead to the slide. Erev Shabbat Shacharit Shabbat Shabbat Mincha Erev Shelosh Regalim on a weekday / on Shabbat Shacharit Shelosh Regalim Erev Shabbat Chol HaMoed Shacharit Shabbat Chol HaMoed Erev Rosh haShana on a weekday / on Shabbat Shacharit Rosh haShana Kol Nidre on a weekday / on Shabbat Shacharit Yom Kippur Mussaf Yom Kippur Mincha Yom Kippur Neila Weekday evening Weekday morning Print Versions How to wave the Lulav? 4 By clicking on home, you always get back to this page.

5. Annette M. Boeckler 2014 HOME Colour Overview Erev Shabbat IF its a Festival evening, go to Erev 3Regalim / Rosh haShana / Kol Nidre [ if Candle lighting is done in shul : dont use a Chanukka tune if its not Chanukka, but a tune leading to Kabbalat Shabbat] Ma Tovu and/or songs compositions (free style) KABBALAT SHABBAT Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) Lecha Dodi composition(s) (if Nusach, mostly Adonai Malach) Ps 92-93 (= liturgical beginning of shabbat) Magein Avot [=Eastern tradition ] [ but Adonai Malach in Belsize Square Synagogue = Western tradition ) MAARIV LE-SHABBAT BARCHU and Shema and its special Shabbat nusach with identifying motives Blessings VeShamru often composition (Shabbat motives) Chatzi Kaddish special Shabbat nusach with its identifying motives Silent Amida Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) Kaddish Titkabbal Adonai Malach Nusach Kiddush Adonai Malach Nusach Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Adon Olam or Yigdal composition 5 Note: During the 3 weeks before 9Av and in some traditions during the weeks of Sefirat haOmer it is traditional to use a melody in minor for Lecha Dodi. Everything is completely different from a Weekday Evening Service print

6. Annette M. Boeckler 2014 HOME Colour Overview Birchot haShachar special Shabbat Psalm mode in Major Pesuke deZimra special Shabbat Psalm mode in Major (similar to Birchot haShachar) may contain some compositions for some parts, pay attention that they are fitting tunes in Major. Nishmat (nusach changes already here preparing congregation for Barchu and Shema) till beginning of Yotzer Or Yishtabach Mode [= THE festival/shabbat sound] [leaders sometimes change for SHOCHEN AD as this is the beginning of the main cantorial role ] End of Yotzer Or (after El Adon), Ahava Rabba Ahava Rabba Mode (Shabbat Morning style) Shma Ahavah Rabba ( only in Belsize Square, Liberal congregations and some Reform congregations: melody in Major = Western ), torah trope (Western trad.) Geula Ahavah Rabbah (Shabbat Morning style) Personal/Silent Amida Most Liberal and Reform Congregations say the Amidah loud together (then all read or all chant or a mixture of both.) Loud Amida if chanted: Beginning till Yimloch Adonai : Adonai Malach LeDor vaDor till end: Ahavah Rabbah [ if Rosh Chodesh or Festival: Half Hallel or Hallel, if it is Sukkot use Lulav in Hallel; some congregations do Hakkafot with Lulav here.] Kaddish Titkabbal in Major, leading to Torah Service [ if this is a Shabbat during Pesach or Sukkot : read Shir haShirim/Kohelet here/ if 1 st day of Pesach/Sukkot falls on Shabbat , chant Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.] Shabbat Morning Service (Birchot haShachar End of Amida) 6 Everything completely different from Weekday Morning Service For Shabbat Chol HaMoed see special slide . print It is a Liberal custom (since 19 th cent.) to stand for the first section of the Shema as a witness and as in the Amidah.

7. Annette M. Boeckler 2014 HOME Colour Overview Ein Kamocha Adonai Malach Nusach or composition Av haRachamim Minor or composition Vayehi binsoa Major or composition Shema / echad / gadlu Major or composition Lecha Adonai Major or composition Bracha before the reading in Weekday [study] Minor Bar/Bat Mitzvah in UK: Major from Portuguese tradition) Calls (yaamod / taamod), misheberachs 306-322 should be in Major , but usually is in Minor Bracha after the reading Major (anticipates call for next one) [ Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah) not in Liberal/Reform ] (various traditions here! Often Friday evening is used) Vezot hatorah melody in Major Bracha before Haftara in Haftara trop (or read if Haftarah is read) Bracha after Haftara special melody [ Misheberach for congregation Minor not done in Liberal ] [ Ashre Major not done in Liberal and Reform ] Yehallelu and Hodo al eretz Major Psalm 29 Major / or composition Uvnucho yomar Major ; mumbled silently / composition (BSS, Liberal, Reform) Shabbat Morning Service 2 (Tora Reading Shabbat Morning) 7 If last Shabbat in the month : p. 336 Mevarchin haChodesch, use typical melody of an event in the next month for Yechadshehu in the last passage. Note : on special Shabbatot ( Shabbat Shekalim, Zachor, Para, and Hachodesh there are special Maftir and Haftara readings , special Haftara readings are on Shabbat HaGadol , Shabbat and Rosh Chodesh and the Shabbat immediately before Rosh Chodesh, the 3 Shabbatot before 9Av and the 7 Shabbatot after 9Av . Different Readings are on Shabbat Chanukka. Klick here to hear on website print

8. Annette M. Boeckler 2014 HOME Colour Overview MATERIALS: Mi shebeirach for Olim and Chatzi Kaddish before Maftir 8 MI SHEBEIRACH in major CHATZI KADDISH BEFORE MAFTIR in Ahavah Rabbah Samples taken from: Andrew Bernard, The Sound of Sacred Time, Charlotte, NC: Andrew Bernard, 2005, p. 118) NOTE: Both are usually not done in Liberal congregations, seldom in Reform congregations, because Mi Shebeirach interrupts the listening to the torah and Maftir is linked to mussaf which is linked to the tradition of sacrifices, whose mentioning was abolished by Classical Reform.

9. Annette M. Boeckler 2014 HOME Colour Overview MATERIALS: Mevarchim hachodesh (Rosh Chodesh Bentshing / Birkat haChodesh) Note: this is NOT done ON Rosh Chodesh itself! but on the SHABBAT BEFORE ROSH CHODESH after the prayers for the government , Israel and congregation . 1 st passage: Yehi ratzon milfanecha Minor with modulation into Ahavah Rabba Mode 2 nd passage: Mi sheasah nisim Adonai Malach Mode 3 rd passage: anouncement Said Congregation repeats [one could play with motives here, for example include melodies, nusach or trop typical for the festival in that month.) 4 th passage: Yechadsheihu IN LEITMELODY OF FESTIVAL in the new month or in Adonai Malach Mode 9 My suggestions for tunes for the month to chant Yechadsheihu (usually the congregation recognizes the tune quickly and joins in.) Nissan Melody of Adir Hu (= Leitmotiv for Pessach) Iyar Melody of Israel National Anthem Sivan Melody of Akdamut (= Leitmotiv for Shavuot) Tammuz Ekha Trop or Adonai Malach Mode Av Melody of eli tzion (piyyut for Tisha beAv) Ellul Selicha Mode Tishri High Holiday Mi Sinai tune of Evening Service Cheshvan -- no festival in this month, use Adonai Malach Mode or just read Kislev Melody of Maoz Tzur Tevet Ekha Trop or Adonai Malach Mode Shevat Melody of a known Tu BiShevat Song ( TubiShevat higia .) Adar Melody of a known Purim Song (Ani Purim.) print

10. Annette M. Boeckler 2014 HOME Colour Overview Shabbat Morning Service 3 ([Mussaf] and end) Chatzi Kaddish Adonai Malach Beginning of Mussaf Amida till yimloch adonai Adonai Malach leDor vaDor till end of Amida Ahavah Rabba (same as in Shacharit, but of course with different text) Kaddish Titkabbal Major Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Final song composition 10 If you dont have Mussaf, skip this and continue with Aleinu. print

11. Annette M. Boeckler 2014 HOME Colour Overview Ashre (Psalm 145) Magein Avot Chatzi Kaddish Magein Avot with Mincha Leitmotiv short Torah-Reading (as on weekday) melodies as on Shabbat or with Mincha Leitmotiv Chatzi Kaddish Magein Avot (study mode) Amida beginning till yimloch as on Weekdays (pentatonic) leDor vaDor till end Shabbat Mincha mode Kaddish titkabbal Major (if not special occasion) Aleinu Adonai Malach Nusach or composition Mourners Kaddish read final song Shabbat Mincha 11 print Note: torah reading is before the Amida in Mincha services.

12. Annette M. Boeckler 2014 HOME Colour Overview For Printing 12

13. Annette M. Boeckler 2014 HOME Colour Overview Erev Shabbat [ if Candle lighting is done in shul : dont use a Chanukka tune if its not Chanukka, but a tune leading to Kabbalat Shabbat] Ma Tovu and/or songs compositions (free style) KABBALAT SHABBAT Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) Lecha Dodi composition(s) (if Nusach, mostly Adonai Malach) Ps 92-93 (= liturgical beginning of shabbat) Magein Avot [=Eastern tradition ] [ but Adonai Malach in Belsize Square Synagogue = Western tradition ) MAARIV LE-SHABBAT BARCHU and Shema and its special Shabbat nusach with identifying motives Blessings VeShamru often composition (Shabbat motives) Chatzi Kaddish special Shabbat nusach with its identifying motives Silent Amida Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) Kaddish Titkabbal Adonai Malach Nusach Kiddush Adonai Malach Nusach Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Adon Olam or Yigdal composition 13 Note: During the 3 weeks before 9Av and in some traditions during the weeks of Sefirat haOmer it is traditional to use a melody in minor for Lecha Dodi.

14. Annette M. Boeckler 2014 HOME Colour Overview Birchot haShachar special Shabbat Psalm mode in Major Pesuke deZimra special Shabbat Psalm mode in Major (similar to Birchot haShachar) may contain some compositions for some parts, pay attention that they are fitting tunes in Major. Nishmat (nusach changes already here preparing congregation for Barchu and Shema) till beginning of Yotzer Or Yishtabach Mode [= THE festival/shabbat sound] [leaders sometimes change for SHOCHEN AD as this is the beginning of the main cantorial role ] End of Yotzer Or (after El Adon), Ahava Rabba Ahava Rabba Mode (Shabbat Morning style) Shma Ahavah Rabba ( only in Belsize Square, Liberal congregations and some Reform congregations: melody in Major = Western ), torah trope (Western trad.) Geula Ahavah Rabbah (Shabbat Morning style) Personal/Silent Amida Most Liberal and Reform Congregations say the Amidah loud together (then all read or all chant or a mixture of both.) Loud Amida if chanted: Beginning till Yimloch Adonai : Adonai Malach LeDor vaDor till end: Ahavah Rabbah [ if Rosh Chodesh or Festival: Half Hallel or Hallel, if it is Sukkot use Lulav in Hallel; some congregations do Hakkafot with Lulav here.] Kaddish Titkabbal in Major, leading to Torah Service [ if this is a Shabbat during Pesach or Sukkot : read Shir haShirim/Kohelet here/ if 1 st day of Pesach/Sukkot falls on Shabbat , chant Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.] Shabbat Morning Service (Birchot haShachar End of Amida) 14 For Shabbat Chol HaMoed see special slide . It is a Liberal custom (since 19 th cent.) to stand for the first section of the Shema as a witness and as in the Amidah.

15. Annette M. Boeckler 2014 HOME Colour Overview Ein Kamocha Adonai Malach Nusach or composition Av haRachamim Minor or composition Vayehi binsoa Major or composition Shema / echad / gadlu Major or composition Lecha Adonai Major or composition Bracha before the reading in Weekday [study] Minor Bar/Bat Mitzvah in UK: Major from Portuguese tradition) Calls (yaamod / taamod), misheberachs 306-322 should be in Major , but usually is in Minor Bracha after the reading Major (anticipates call for next one) [ Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah) not in Liberal/Reform ] (various traditions here! Often Friday evening is used) Vezot hatorah melody in Major Bracha before Haftara in Haftara trop (or read if Haftarah is read) Bracha after Haftara special melody [ Misheberach for congregation Minor not done in Liberal ] last shabbat in month: Blessing for new month [ Ashre Major not done in Liberal and Reform ] Yehallelu and Hodo al eretz Major Psalm 29 Major / or composition Uvnucho yomar Major ; mumbled silently / composition (BSS, Liberal, Reform) Shabbat Morning Service 2 (Tora Reading Shabbat Morning) 15 Klick here to hear on website print

16. Annette M. Boeckler 2014 HOME Colour Overview MATERIALS: Mi shebeirach for Olim and Chatzi Kaddish before Maftir 16 MI SHEBEIRACH in major CHATZI KADDISH BEFORE MAFTIR in Ahavah Rabbah Samples taken from: Andrew Bernard, The Sound of Sacred Time, Charlotte, NC: Andrew Bernard, 2005, p. 118) NOTE: Both are usually not done in Liberal congregations, seldom in Reform congregations, because Mi Shebeirach interrupts the listening to the torah and Maftir is linked to mussaf which is linked to the tradition of sacrifices, whose mentioning was abolished by Classical Reform.

17. Annette M. Boeckler 2014 HOME Colour Overview MATERIALS: Mevarchim hachodesh (Rosh Chodesh Bentshing / Birkat haChodesh) Note: this is NOT done ON Rosh Chodesh itself! but on the SHABBAT BEFORE ROSH CHODESH after the prayers for the government , Israel and congregation . 1 st passage: Yehi ratzon milfanecha Minor with modulation into Ahavah Rabba Mode 2 nd passage: Mi sheasah nisim Adonai Malach Mode 3 rd passage: anouncement Said Congregation repeats [one could play with motives here, for example include melodies, nusach or trop typical for the festival in that month.) 4 th passage: Yechadsheihu IN LEITMELODY OF FESTIVAL in the new month or in Adonai Malach Mode 17 Suggestions for tunes for the month to chant Yechadsheihu: Nissan: Melody of Adir Hu (= Leitmotiv for Pessach); Iyar: Melody of Israel National Anthem; Sivan: Melody of Akdamut (= Leitmotiv for Shavuot); Tammuz: Ekha Trop or Adonai Malach Mode; Av: Melody of eli tzion (piyyut for Tisha beAv); Ellul: Selicha Mode; Tishri: High Holiday Mi Sinai tune of Evening Service ; Cheshvan: -- no festival in this month, use Adonai Malach Mode or just read ; Kislev: Melody of Maoz Tzur; Tevet: Ekha Trop or Adonai Malach Mode ; Shevat: Melody of a known Tu BiShevat Song ( TubiShevat higia .); Adar: Melody of a known Purim Song (Ani Purim.)

18. Annette M. Boeckler 2014 HOME Colour Overview Shabbat Morning Service 3 ([Mussaf] and end) Chatzi Kaddish Adonai Malach Beginning of Mussaf Amida till yimloch adonai Adonai Malach leDor vaDor till end of Amida Ahavah Rabba (same as in Shacharit, but of course with different text) Kaddish Titkabbal Major Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Final song composition 18 If you dont have Mussaf, skip this and continue with Aleinu. print

19. Annette M. Boeckler 2014 HOME Colour Overview Ashre (Psalm 145) Magein Avot Chatzi Kaddish Magein Avot with Mincha Leitmotiv short Torah-Reading (as on weekday) melodies as on Shabbat or with Mincha Leitmotiv Chatzi Kaddish Magein Avot (study mode) Amida beginning till yimloch as on Weekdays (pentatonic) leDor vaDor till end Shabbat Mincha mode Kaddish titkabbal Major (if not special occasion) Aleinu Adonai Malach Nusach or composition Mourners Kaddish read final song Shabbat Mincha 19 print Note: torah reading is before the Amida in Mincha services.

20. Annette M. Boeckler 2014 HOME Colour Overview The following slides are under construction NOT FOR USAGE IN THE UK YET ! 20

21. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune leading to the Festival. The candles are ner shel yom tov.] 180blue Ma Tovu composition copy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar ) 188blue Candlelighting tune as on Shabbat (if you use one) Shehecheyanu (if you have 2 days, you say it both evenings) 210-220blue Barchu, Shma and its blessings Festival Evening Nusach (Adonai Eloheichem emet and Emet veemuna in Festival Ev. Nusach) 24Bentsh-book Vayedaber Moshe Festival Evening Nusach Chatzi-Kaddish Festival Evening Nusach 222-224blue Silent Amida begin silent 158-160blue for 4th beracha for Festival, use text weekday version (on Shavuot add yourself the needed wording) complete text is found in green temporary siddur 258-260 silent 228-232 blue Continue with Retze till end of Amida silent 21 On 1 st evening of Sukkot ( IF there is no morning service in the congregation) : 546blue/262GREEN Beracha for Lulav 1 st time shaking 682-692blue/230-240GREEN Hallel -- /264GREEN Hakafot with Lulav 242blue/ 98GREEN Kaddish titkabbal (Its a custom to use elaborate melodies) 20-22 Bentsh-book Kiddush [On Sukkot in the Sukkah, on Pesach at the Seder, both after Aleinu, on Shavuot at the meal and study session if there is one.) Festival Melody 246blue/140GREEN Al einu (Adonai Malach or comp.), Kaddish Yatom (read), Adon Olam (composition) On Erev Simchat Torah: Often a shortened Torah service specially tailored to the children, check local minhag. 266green Ata horeta ladaat Hakafot On 1 st evening of Pesach: Keep service short (if there is a cong.service), people want to start the seder. On Erev Shavuot: Nothing special in the service for Shavuot ( the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot]) On Erev Simchat Torah: Years Kaddish Klick here to hear on website print

22. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Avonddienst avond weekdag ( simple overview traditional) Intro BARCHU 3Regalim Evening Nusach Shma and its blessings 3Regalim Evening Nusach Mi kamocha in special melody for the festival: Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune Vayedaber Moshe 3Regalim Nusach Chatzi Kaddish 3Regalim Evening Nusach Silent Amida Kiddush 3Regalim tune Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Adon Olam composition 22 Klick here to hear on website print

23. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Avonddienst avond Sjabbat (3 additions) [ if Candle lighting : dont use a Chanukka tune, but a tune leading to the Festival. The candles are ner shel shabbat ve yom tov.] 180blue Ma Tovu (= Grote Ma tovu by Lewandowski) copy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar ) 188blue Candlelighting tune as on Shabbat (if you use one) Shehecheyanu (if you have 2 days, you say it both evenings , except on RH ) 206-208blue Psalm 92 and 93 as on Shabbat 210-220blue Barchu, Shma and its blessings Festival Evening Nusach (Adonai Eloheichem emet and Emet veemuna in Festival Ev. Nusach) 220blue Veshamru as on Shabbat 24Bentsh-book Vayedaber Moshe Festival Evening Nusach Chatzi-Kaddish Festival Evening Nusach 222-224blue Amida begin silent 158-160blue 4th beracha for Festival, use text weekday version (on Shavuot add yourself the needed wording) complete text is found in green temporary siddur 258-260 silent 228-232 blue Retze till end of Amida silent 240 Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) 23 On 1 st evening of Sukkot ( IF there is no morning service in the congregation) : 546blue/262GREEN Beracha for Lulav 1 st time shaking 682-692blue/230-240GREEN Hallel --/264GREEN Hakafot with Lulav 242blue/ 98GREEN Kaddish titkabbal study mode 20-22 Bentsh-book Kiddush Festival Melody 246blue/140GREEN Al einu (Adonai Malach or comp.), Kaddish Yatom (read), Adon Olam (composition) [On Sukkot Kiddush in the Sukkah (after ...leishev baSukka and Shehecheyanu / on Pesach at the Seder after service / on Shavuot at the meal and study session if there is one] On Erev Simchat Torah: Often a shortened Torah service specially tailored to the children, check local minhag. 266green Ata horeta ladaat Hakafot On 1 st evening of Pesach: Keep service short (if there is a cong.service), people want to start the seder. On Erev Simchat Torah: Years Kaddish Note: this slide is not for Chol haMoed, but for the festival falling on Shabbat. Klick here to hear on website print On Erev Shavuot: Nothing special in the service for Shavuot ( the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot])

24. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Ochtenddienst 1 (Birchot haShachar End of Hallel) 32-38green Birchot haShachar as on Shabbat (Psalm mode) 38-58green Psuke deZimra as on Shabbat (Psalm mode) weekday / shabbat have different texts but all sung in shabbat nusach UNTIL 58green HA-EL BETAATZUMOT special melody for 3Regalim continued for shochen and befi yesharim (= Western tradition) 58-76green Yishtabach till BARCHU and nusach as on Shabbat (Yishtabach Mode) Shma and its blessings weekday / shabbat have different texts in JOTZER but all sung in Yishtabach Mode) 78-80 Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach) 84 Kedu sha (naaritzcha leDor ) begin as on Shabbat , at leDor vaDor switch to Festival Nusach 258-260green 4 th beracha Kedushat Hayom for Festival Festival Nusach 88-92green Retze till end of Amida Festival Nusach on Sukkot: 546blue/262GREEN Beracha for Lulav 1st time shaking (some congr. dont shake on Shabbat) 230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25 Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav (note: on Pesach (except 1 st day) skip Psalm 115:1-11 and 116:1-11 ) -- IF Bracha after Hallel: end with 3Regalim Cadence 264 on Sukkot : if Hakafot with Lulav (Hoshanot) here OR after Mussaf 98 Kaddish Titkabbal as on Shabbat / on Simchat Torah: Years Kaddish 24 Klick here to hear on website print

25. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Ochtenddienst 2 (Torah Service and Mussaf) 100green Torah Service can be as on Shabbat, except adonai adonai el rachum vechanun (same melody for all festivals) on Simchat Torah expanded and with 266green Ata horeta ladaat Hakafot on weekdays Ps 24 /// on Shabbat Ps 29 copies [ADD on 7 th day of Pesach, Shavuot, Shemini Azeret YISKOR with its own melodies ] 116-118green Yehallelu and end of torah service as on Shabbat 25 JUST FOR GENERAL KNOWLEDGE - IF THERE IS MUSSAF: 118green Chatzi Kaddish for Mussaf as on Shabbat (but some use special melodies) on 1st day Pesach/Shmini Azeret Tal/Geshem melody 120-124green Mussaf Amida : beginning ( Avot, Gevurot) Adonai Malach , on 1 st Pesach/ShemAz : Tal/Geshem Mi Sinai Melody 272green Tefillat Tal [on 1 st Pesach] ; ( Geshem [on ShemAz.] not in book) Replace p126 with 258-260 Kedusha till yimloch adonai as on Shabbat le dor va dor till end 3Regalim Nusach [ on Sukkot: Hoshanot / Simchat Tora Hakkafot with their own melodies ] 138green Kaddish titkabbal as on Shabbat (or elaborate one) but on Simchat Torah may be Years Kaddish 270green On Simchat Torah : Leshoni Konanta 140green Aleinu (Adonai Malach or comp.), Mourners Kaddish (read), Ein Kelohenu (comp) as on Shabbat 274green Kiddush (on Sukkot in Sukkah, on Pesach with Matzot) Festival Melody end of service) Klick here to hear on website print

26. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Chol Hamo ed Avonddienst [ if Candle lighting : dont use a Chanukka tune, but a tune leading to the Festival. The candles are ner shel shabbat.] 181 -189 Ma Tovu and songs compositions (free style) KABBALAT SHABBAT 191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) 202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach) 207-209 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) MAARIV LE-SHABBAT 210-218 BARCHU and Shema and its special Shabbat nusach with festival identifying motives Blessings 220 VeShamru often composition (Shabbat nusach) 220 Chatzi Kaddish special Shabbat nusach with festival identifying motives 221-240 Silent Shabbat Amida 240 Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) 242 Kaddish Titkabbal Adonai Malach Nusach 244 Kiddush for Shabbat Adonai Malach Nusach 246-249 Aleinu Adonai Malach Nusach or composition 250-253 Mourners Kaddish read 254 Adon Olam or Yigdal composition 26 The service is a regular Shabbat Service with only the addition of Yaale veyavo [p. 228 blue] into the Amida. Insert Yaale veyavo , p. 228 blue into silent Amida Kiddush after service Is normal Shabbat one. print

27. Annette M. Boeckler 2014 HOME Colour Overview Shabbat Chol Hamoed Ochtenddienst 32green Adon Olam [0n Pesach to melody Adir Huh] 34-38green Birchot haShachar special Shabbat Psalm mode in Major as every Shabbat 38green Baruch sheamar special Shabbat Psalm mode in Major as every Shabbat 48green Psalm 92 as on Shabbat (skip p. 50-58 [Psalm 150, Baruch Adonai leolam, Ki LAdonai, Nishmat in a Chol haMoed Service!) 244-246green Psalm 136 as on Shabbat 58green HA-EL BETAATZUMOT special melody for 3Regalim continued for shochen and befi yesharim (= Western tradition) 58-76green Yishtabach till BARCHU and nusach as every Shabbat (Yishtabach Mode) Shma and its blessings but Shma 1 st line sung to Festival tune, rest torah trope Mi chamocha to seasonal melody of Festival (see below) 78ff Silent Amida Amida is not repeated if there is a Mussaf (Dutch Minhag). If there is no Mussaf: repeat: 78-80green Amida Avot and Gevurot as on Shabbat ( Adonai Malach Nusach) 84green Kedu sha (naaritzcha leDor) begin as on Shabbat , at leDor vaDor switch to Ahavah Rabba as on Shabbat 258-260green 4 th beracha Kedushat Hayom for Shabbat Ahavah Rabba as on Shabbat BUT INSERT YAALE VEYAVO in Festival Nusach 88-92green Retze till end of Amida Ahavah Rabba as on Shabbat 230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25 Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav (note: on Pesach skip Psalm 115:1-11 and 116:1-11 ) -- IF Bracha after Hallel: end with 3Regalim Cadence 98green Kaddish Titkabbal as on Shabbat on Pesach or Sukkot : read Shir haShirim/Kohelet here. 100-118green Toraservice as on Shabbat (but special readings) 120ff, replace IF Mussaf , chant beginning as on Shabbat , but say atta vechartanu text for Shabbat with Festival p. 126 with 258-260 Nusach and continue till end in Festival nusach 140-148green Aleinu , Kaddish, Ein Kelohenu as on Shabbat 27 Show pages in BLUE book Show pages in GREEN book If your congregation uses the lulav on shabbat, click to see the next slide. Kiddush after service Is normal Shabbat one. 34 blue 36-40 blue 40 blue 50 blue 260 (ha-el) blue 262-276 blue 278-296 blue 288 blue 682-692 blue 298 blue 300-340 blue 348, but go to 158-160 for Atavechartanu, dont say Yaale veYavo, continue with Reze on p. 352. 360-368 blue Its a Shabbat that happens to be during a Festival, the Shabbat is more important than the Festival, that means we recite the normal Shabbat Amida in Shabbat Nusach, but insert YAALE VEYAVO (258- 260) in Festival Nusach . We do the Mussaf of the Festival as on all other Chol haMoed days (IF the congr. is used to have Mussaf), but only Kedushat haYom is chanted in Festival Nusach, the rest as on shabbat . print

28. Annette M. Boeckler 2014 HOME Colour Overview Additional remarks on Shabbat Chol Hamoed Ochtenddienst LULAV ON SHABBAT It depends on local minhag, if the lulav is taken on Shabbat. If so, use it before Hallel and then during Hallel. You may do the Hakkafot before Kaddish Titkabbal, if you did not do them on the 1 st day. Beracha for Lulav: p. 262 green Hakkafot with Lulav: p. 264green MEGILLAH The Megilla is read on Shabbat Chol haMoed, but if there is none, that is, if the 1 st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach/on Shemini Atzeret.] KIDDUSH The Kiddush on Chol haMoed Shabbat is said as on a regular Shabbat (also on Friday night.) 28

29. Annette M. Boeckler 2014 HOME Colour Overview How to wave the lulav While standing, hold the lulav with the spine (the long green thicker line) towards you , the 2 willows (aravim) should be at your left , the 3 myrtles (hadassim) at your right . While saying the blessing, hold the pitom (the tip) pointing down . After the blessing turn it over, so that the pitom is on top. Wave the lulav after the bracha after the Amida and during Hallel for some verses in Psalm 118 (1-2, 25, and 29). Start wawing it 3 times in to your front (= east , as you are facing east) and continue clockwise. Never wave at adonai. 29 HODU LADONAI KI TOV KI LEOLAM HASDO Front -- right back left up down YOMAR NA YISRAEL KI LEOLAM HASDO Front right back left up down ANA ADONAI HOSHIANA NA, ANA ADONAI HATSLICHA NA. Front -- right back left -- up down print 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x

30. Annette M. Boeckler 2014 HOME Colour Overview Notes on Chol Chol Hamo ed Weekdag Avonddienst As on all weekday evenings; however in the silent Weekday Amidah add YAALEH veYAVO. Ochtenddienst Till end of Amida as on all weekday mornings; however in the Weekday Amidah add YAALEH veYAVO. [ IF tefillin are worn, they are removed after the Amidah. [On Sukkot : use the lulav.] Chant Hallel after Weekday Amida ./ On Pesach Half-Hallel. On Sukkot : If you dont do Mussaf, do Hoshanot after Hallel. Conclude this part with Kaddish Titkabal.) There is a Torah reading for Chol hamoed (4 aliyot). IF you do Mussaf, recite the Festival Mussaf. [On Sukkot : After Mussaf do Hoshanot .] 30

31. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel yom tov.] 9 Ma tovu composition ( Grote Ma tovu by Lewandowski) 12 Barchu Mi Sinai High Holiday tune for Evenings 12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv 14 Shema High Holiday melody Veahavta etc. High Holiday torah trope if possible , otherwise regular trop, or silent 16-19 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv 20 Tiku bachodesh shofar composition (Adonai Malach) 20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv 21-30 silent High Holiday Amida 30 Kiddush 3Regalim Nusach , may change to a HHtune at end or composition 31 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 33-34 Mourners Kaddish read 34-35 Adon Olam composition/note High Holidays melodies 31 Klick here to hear on website print

32. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Avonddienst avond Sjabbat (3 additions) [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel shabbat ve yom tov.] 9 Ma tovu composition ( Grote Ma tovu by Lewandowski) 9-11 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) 12 Barchu Mi Sinai High Holiday tune for Evenings 12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv 14 Shema High Holiday melody Veahavta etc. High Holiday torah trope if possible , otherwise regular trop, or silent 16-19 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv 20 Veshamru As on Shabbat ( Magein Avot Nusach Shabbat Evening Nusach ) 20 Tiku bachodesh shofar Composition ( Adonai Malach) 20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv 21-30 silent High Holiday Amida 30 Vayechulu Shabbat Evening Nusach (Magein Avot Nusach) 30 Kiddush 3Regalim Nusach , may change to a HHtune at end 31 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 33-34 Mourners Kaddish read 34-35 Adon Olam composition/note High Holidays melodies 32 Note: there is no Kabbalat Shabbat part, and therefore no Lecha Dodi on High Holidays on Shabbat. Klick here to hear on website print

33. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 1 (Birchot haShachar End of Amida) 39-40 Adon Olam, composition (there are special High Holiday compositions) shachar avakeshcha composition 41-46 Birchot haShachar psalm mode as on Shabbat 46-57 Psuke deZimra HH shacharit nusach 57 HAMELECH Mi Sinai tune 58 Yishtabach HH shacharit nusach 58 BARCHU HH shacharit nusach 58-61 Yotzer, Ahavah Rabbah HH shacharit nusach 62 Shema special melodie as on evening 62-65 Veahavta etc. Torah trop or silent 65-66 Adonai elohechem emet etc HH shacharit nusach 67-82 silent High Holiday Amida 82 Avinu Malkenu composition as minhag hamakom 85 Kaddish Titkabal Major (before Torareading) 33 Klick here to hear on website print

34. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 2 (Torah service) 87-89 opening Torah service as on Shabbat BUT note: before Shema: Adonai Adonai in tune as Minhag haMakom Chant Shma in High Holiday Tune Gadlu and Havu LAdonai by Sulzer (not by Lewand. as on Shabbat) 89-90 there are special melodies for Brachot before Aliyot, but most people dont use them. 90-124 use special High Holiday trope for Torah reading Haftarah is chanted/read as normal 125-126 prayers after Torah reading as normal on Shabbat TEKIYOT: 126 shofar blessings special Nusach 127 shofar calls special melody 128 Psalm 145 as on shabbat (by Sulzer) 130 end of Torah service as on shabbat Yehallelu and Hodo (by Sulzer) 34 Klick here to hear on website print

35. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 3 (Mussaf till end) 131 Chatzi Kaddish before Mussaf (in nusach leading to Amida) 131 -155 Rosh HaShana Mussaf Amida several High Holiday Nusschaot with Tekiyot Here (p. 144) only here - is the place for the Great Alenu.) 155 Mourners Kaddish read 157 Ein Kelohenu composition 35 Klick here to hear on website print

36. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel yom tov.] In some congregation: introduction 136 Kol Nidre Mi Sinai Tune 163-164 Venislach shehecheyanu Adonai Malach for HH, use: tunes as minhag hamakom 167 Barchu Mi Sinai High Holiday leitmotiv for Evenings 167-168 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, chatimot in HH evening Mi Sinai leitmotiv 169 Shema High Holiday melody Veahavta etc. HH torah trope if possible , or normal trop, or silent 169-172 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv 172 Ki vayom hazeh Adonai Malach for High Holidays 173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv 173-186 silent High Holiday Amida 187-205 Slichot and Vidui special nusach for Slichot and special nusach for Vidui 207-208 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 209-210 Mourners Kaddish read 210-212 Adon Olam composition/note High Holidays melodies 36 With the exception of Kol Nidre all the melodies are the same as on Rosj Hasjana Avonddienst. Klick here to hear on website print

37. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Avonddienst avond Sjabbat (3 additions) [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel shabbat ve yom tov.] In some congregation: introduction 136 Kol Nidre Mi Sinai Tune 163-164 Venislach shehecheyanu Adonai Malach for HH, use: tunes as minhag hamakom 164-166 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) 167 Barchu Mi Sinai High Holiday leitmotiv for Evenings 167-168 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, chatimot in HH evening Mi Sinai leitmotiv 169 Shema High Holiday melody Veahavta etc. HH torah trope if possible , or normal trop, or silent 169-172 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv 172 Veshamru Magein Avot ( Shabbat Evening Nusach ) 172 Ki vayom hazeh Adonai Malach for High Holidays 173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv 173-186 silent High Holiday Amida 187-205 Slichot and Vidui special Nusach for Slichot and special Nusach for Vidui 207-208 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 209-210 Mourners Kaddish read 210-212 Adon Olam composition/note High Holidays melodies 37 Klick here to hear on website print With the exception of Kol Nidre all the melodies are the same as on Rosj Hasjana Avonddienst falling on a Shabbat.

38. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Ochtenddienst 1 (Birchot haShachar End of Amida) 215-216 Shachar avakeshcha, Adon Olam composition 217-221 Birchot haShachar psalm mode as on Shabbat 222-252 Psuke deZimra HH shacharit nusach 252 -253 HAMELECH Mi Sinai tune 253 Yishtabach HH shacharit nusach 254 BARCHU HH shacharit nusach 254-258 Yotzer, Ahava Rabbah HH shacharit nusach 259 Shema special melodie as on evening 259-261 Veahavta etc. Torah trop or silent 262 Adonai elohechem emet etc HH shacharit nusach 263-278 silent High Holiday Amida 278-322 Chazarat HaTefillah several HH nuschaot 85 Kaddish Titkabal Major (before Torareading) 38 The text is different, but the melodies are the same as in Rosj Hasjana Ochtenddienst. Klick here to hear on website print

39. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Ochtenddienst 2 (Torah service) 325-327 opening Torah service as on Shabbat BUT note: before Shema: Adonai Adonai in tune as Minhag haMakom Chant Shma in High Holiday Tune Gadlu and Havu LAdonai by Sulzer (not by Lewand. as on Shabbat) 328 there are special melodies for Brachot before Aliyot, but most people dont use them. 329-342 use special High Holiday trope for Torah reading Haftarah is chanted/read as normal 343-344 prayers after Torah reading as normal on Shabbat 344-346 Psalm 145 as on shabbat (by Sulzer) 347 end of Torah service as on shabbat Yehallelu and Hodo (by Sulzer) 39 The text is different, but the melodies are the same as in Rosj Hasjana Ochtenddienst. Klick here to hear on website print

40. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Mussaf 361 Chatzi Kaddish before Mussaf (in nusach leading to Amida) 361-376 silent Amida 376-432 Chazarat Hatefillah Mussaf Amida for Yom Kippur several High Holiday Nuschaot with Avodah with special melodies 432 Mourners Kaddish read Continues with Mincha (starting with Torahreading p. 433, see next slide) 40 This is the most important part of the whole day ! Be aware of that when you do it. Klick here to hear on website print

41. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Mincha 432 Chatzi Kaddish Magein Avot with Shabbat Mincha Leitmotiv 433-449 Torah Service as on Shabbat Mincha but with Haftara (Jonah) [often lead by the youth in the congregation] 452 Chatzi Kaddish Magein Avot 453-467 silent High Holiday Amida 467 -507 Chazarat HaTefillah several High Holiday Nuschaot 507 Kaddish Titkabbal Major 41 Mincha prepares us for the normal life AFTER this day. print

42. Annette M. Boeckler 2014 HOME Colour Overview Yizkor Yizkor is often inserted before Neila, although it originally belonged to Torah Service (remember Lecture by Eli about Yizkor.) Has special melodies/compositions. Klick here for the website Yom Kippur Yizkor. Klick here for lecture about Yizkor. 42

43. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Neila 510 El Norah Alila traditional Portuguese melody 511 -513 Ashre Magein Avot for High Holidays 513 -514 Uvah leZion Magein Avot for High Holidays 515-516 Yah shimcha composition 517 Chatzi Kaddish for Neila Neila Mi Sinai Tune 518-533 Silent Neila Amida 533-563 Chazarat haTefillah Avot and Gevurot in Neila Tune Rest Nusach as in other HHservices BUT NOTE DIFFERENT TEXT ! and special traditions as Amsterdam (Deutsche) Kedusha, melodies for Ptach Lanu Shaar and other Piyutim 564 -567 Avinu Malkenu composition 567 Kaddish Titkabbal Major / Sukkot Kaddish in preparation for the next festival (special Dutch tradition) 569 FINAL special Havdalah as on end of Shabbat (Weekday mode ) 43 The whole Neila service is special, we have nowhere else a 4 th prayer time , there are, however, several TYPICAL Neila features not used during the day so far, and these are: The purpose of this service is to create a smooth transition between Yom Kippur and normal life. Its as important as Kol Nidre. Klick here to hear on website print

44. Annette M. Boeckler 2014 HOME Colour Overview Avonddienst voor Weekdagen On special days start with special readings , overview see p. 120 . 120 Intro 120 Barchu Ahava Rabba 120-121 Maariv aravim and Ahavat Olam Ahava Rabba 122-126 Shema Major (= liberal tradition), and torah trope 126 -130 Adonai elohechem emet, Geula Eastern Ahava Rabba and Hashkivenu 130 Chatzi Kaddish Eastern Ahava Rabba 132 -152 Silent Weekday-Amida Silent 154 Kaddish Titkabbal Magein Avot (study mode) On Purim : Megillat Ester, on Tisha beAv : Echa and Kinot, between Pesach and Shavuot : count the omer, on Chanukkah : light candles; on Saturday evening make Havdalah. special readings on special days, Yom HaShoa (and 4 May), Yom HaZikaron and Yom HaAtzmaut , overview see p. 154, in Elul add Psalm 27. 112 Aleinu Adonai Malach Nusach or composition 116 Mourners Kaddish Read for Shiva Service : see p. 618 or (preferably) use special book. 44 Note: Our Nusach for Weekdays is a combination between Eastern and Western traditions, as it was the case in many places of the Western Tradition already in the early 20 th century. Only very few places preserved a pure Western Weekday tradition (Basel, Colmar). On Chanukka, Purim, Yom HaAtzmaut dont forget to insert Al hanissim into the silent Amida (p. 162,164). On Rosh Chodesh dont forget to insert Yaale veyavo (p. 164). Klick here to hear on website print

45. Annette M. Boeckler 2014 HOME Colour Overview Ochtenddienst voor Weekdagen 32-34 Ma Tovu/ Yigdal/ Adon Olam/ Shachar avakeshcha composition 36-40 Birchot haShachar Magein Avot Study mode (as Brachot before 40-56 Pesuke deZimra Magein Avot Study mode Torahreading) 58 End of Pesuke deZimra: Yishtabach Ahavah Rabba mode, but simpler than Shab. 58 Chazi Kaddish Ahavah Rabba mode, but simpler than Shab. 60 Barchu Ahavah Rabba mode, but simpler than Shab. 60 Yotzer Ahavah Rabba mode, but simpler than Shab. 62 Ahava Rabbah Ahavah Rabba mode, but simpler than Shab. 64 Shema Major (=liberal tradition) and Torah Trop . 66-70 Adonai elohechem Ahavah Rabba mode, but simpler than Shab. Geula Ahavah Rabba mode, but simpler than Shab. 72-90 Weekday Amida 72-90 Amida is repeated by Chazzan Weekday Nusach (pentatonic) 45 On Monday and Thursday and on Rosh Chodesh: 94 Short Torah Reading , see slide. On Rosh Chodesh / Chanukka: 682 [Half] Hallel (half = RCh, full = Ch.) 110 Kaddish Titkabbal Magein Avot Study mode 112 Aleinu Adonai Malach Nusach or composition 116 Mourners Kaddish Read On Purim and Tisha beAv: Megillat Esther/Echa On Chanukka, Purim, Yom HaAtzmaut dont fcorget to insert Al hanissim into the Amida (p. 86-88-90). On Rosh Chodesh dont forget to insert Yaale veyavo (p.84) Note: Our Nusach for Weekdays is a combination between Eastern and Western traditions, as it was the case in many places of the Western Tradition already in the early 20 th century. Only very few places preserved a pure Western Weekday tradition (Basel, Colmar). Klick here to hear on website print

46. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Torah Reading (Tora Reading Shabbat Morning) Ein Kamochah Av haRachamim 96 Vayehi binsoah Major or composition Shema / echad / 96 gadlu Major or composition 96 Lecha Adonai Major or composition Brachah before the reading in Major (= Dutch tradition, inherited from portugese tradition) Calls (yaamod / taamod), misheberachs 306-322 in Major Brachah after the reading Major (anticipates call for next one) [if Chatzi Kaddish before Maftir: study mode or Ahavah Rabbah] Vezot hatorah melody in Major Bracha before Haftarah in Haftara trop (or read if Haftarah is read) Bracha after Haftarah special melody Misheberach for congregation Ashre 100 Yehallelu and Hodo al eretz Major 100 Psalm 29 Major /composition 102 uvnucho yomar composition 46 Not on weekdays Not on weekdays Not on weekdays Psalm 24 on weekdays on Monday/Thursday Weekdays Not on weekdays Not on weekdays Not on weekdays ON WEEKDAYS ONLY 3 ALIYOT , ONLY SHORT TEXT IS READ (Traditionally the first Shabbat Aliya but split into 3 Aliyot, see the divisions in a Tikkun Korim.) ON ROSH CHODESH 4 Aliyot and special torah reading. We dont have much time on weekdays, therefore dont make it too long. print

47. Annette M. Boeckler 2014 HOME Colour Overview Mincha voor Weekdagen For the plan of the mincha service, see the LJG siddur page 119. The instructions for the continuation of the mincha service after the end of the Amida, see the LJG siddur page 152 and 154. It is nothing new, basically just Ashre and the Weekday Amida in the same nussach as in Weekday Shaharit. Therefore there is no extra slide necessary. Klick here to hear on Website. 47

48. Annette M. Boeckler 2014 HOME Colour Overview The books that we used in our course: Lewandowski, Louis: Kol Rinnah UTfillah : Ein und zweistimmige Gesnge fr den israelitischen Gottesdienst, Berlin, 1871. (for cantor and two voices.) = CD Lewandowski, Louis: Toda Wsimrah : Vierstimmige Chre und Soli fr den israelitischen Gottesdienst mit und ohne Begleitung der Orgel . Erster Theil: Sabbath; Berlin,1882; Zweiter Theil: Festgesnge, 10. Aufl. Frankfurt a.Main 1921. (for cantor, four part choir and congregation.) = CD Neeman, Yehoshua L.: Nosah Lahazan : The Traditional Chant of the Synagogue according to the Lithuanian Jerusalem Musical Tradition, vol.1: Complete Service for the High Holidays , Jerusalem 1972/73.; vol. 2: Tefillat Shabbat , Jerusalem 1968/69. Spiro, Pinchas: Complete Weekday Service : a musical siddur. New York: Cantors Assembly, 1980. (book and also CDs are available from the Cantors Assembly www.cantors.org) Sulzer, Joseph: Schir Zion : Gesnge fr den israelitischen Gottesdienst. 3. Aufl. Frankfurt a. Main, 1922. = CD And see the sheet music in the Muziekbibliotheek on www.levisson.nl. See also: Andrew Bernard, The Sound of Sacred Time : A basic music theory textbook to teach the Jewish prayer modes, Charlotte, NC: private publication, 2005. (we have not used this in the course and this is based on the Eastern European tradition, not Dutch traditions. It is based on the traditional liturgy and the American Reform liturgy, but its interesting, only use with the awareness that this is not our tradition.) 48

49. Annette M. Boeckler 2014 HOME Colour Overview To print Versions of the Slides The following slides are repetitions of the ones you just saw, but without animations, so that they can be printed. 49

50. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Avonddienst [ if Candle lighting : dont use a Chanukka tune if its not Chanukka, but a tune leading to Kabbalat Shabbat] 181 -189 Ma Tovu and songs compositions (free style) KABBALAT SHABBAT 191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) 202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach) 207-209 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) MAARIV LE-SHABBAT 210-218 BARCHU and Shema and its special Shabbat nusach with identifying motives Blessings 220 VeShamru often composition (Shabbat nusach) 220 Chatzi Kaddish special Shabbat nusach with identifying motives 221-240 Silent Amida 240 Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) 242 Kaddish Titkabbal Adonai Malach Nusach 244 Kiddush Adonai Malach Nusach 246-249 Aleinu Adonai Malach Nusach or composition 250-253 Mourners Kaddish read 254 Adon Olam or Yigdal composition 50 Note: During the 3 weeks before 9Av and in some traditions during the weeks of Sefirat haOmer it is traditional to use a melody in minor for Lecha Dodi.

51. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Ochtenddienst 1 (Birchot haShachar End of Amida) 4-39 Birchot haShachar special Shabbat Psalm mode in Major 40-56 Pesuke deZimra special Shabbat Psalm mode in Major (similar to Birchot haShachar) may contain some compositions for some parts, some could be in Minor 258-268 Nishmat till beginning of Yotzer Or Yishtabach Mode [leaders sometimes change for SHOCHEN AD as the beginning of the cantorial part ] 264-276 End of Yotzer Or and Ahava Rabba Ahava Rabba Mode (Shabbat Morning style) Shma melody in Major, and tora trope Geula Ahavah Rabbah (Shabbat Morning style) 278-296 Silent Amida In some congregations the Admida is not repeated but is said aloud in the Mussaf. Congregations that do not have Mussaf have to repeat the Amida here (its actually not an exact repetition, but contains extra pieces.) 278-282 Loud Amida: Beginning till Yimloch Adonai : Adonai Malach 282-296 LeDor vaDor till end: Ahavah Rabbah [ if Rosh Chodesh or Festival: Half Hallel or Hallel, if Sukkot use Lulav in Hallel; some congregations do Hakkafot with Lulav here.] 298 Kaddish Titkabbal in Major, leading to Torah Service [ if this is a Shabbat during Pesach or Sukkot : read Shir haShirim/Kohelet here/ if 1 st day of Pesach/Sukkot falls on Shabbat , chant Shir haShirim/Kohelet on the last day of Pesach / on Shemini Azeret.] 51 For Shabbat Chol HaMoed see special slide .

52. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Ochtenddienst 2 (Tora Reading Shabbat Morning) 300 Ein Kamocha Adonai Malach Nusach or composition Av haRachamim Minor or composition Vayehi binsoa Major or composition 302 Shema / echad / gadlu Major or composition Lecha Adonai Major or composition 304 Bracha before the reading in Major (= Dutch tradition, inherited from portugese tradition) Calls (yaamod / taamod), misheberachs 306-322 in Major Bracha after the reading Major (anticipates call for next one) Chatzi Kaddish before Maftir: study mode (or Ahavah Rabbah) 304 Vezot hatorah melody in Major 328 Bracha before Haftara in Haftara trop (or read if Haftarah is read) Bracha after Haftara special melody 332 Misheberach for congregation Minor If last Shabbat in the month : p. 336 Mevarchin haChodesch, use typical melody of an event in the next month for Yechadshehu in the last passage. 338 Ashre Major 338 Yehallelu and Hodo al eretz Major 338 Psalm 29 Major / or composition 340 Uvnucho yomar composition 52

53. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Ochtenddienst 3 ([Mussaf] and end) 340 Chatzi Kaddish Adonai Malach 342 -346 Beginning of Mussaf Amida till yimloch adonai Adonai Malach 346- leDor vaDor till end of Amida Ahavah Rabba (same as in Shacharit, but of course with different text) 358 Kaddish Titkabbal Major If you dont have Mussaf, skip this and continue on p. 360 Aleinu. 360 -363 Aleinu Adonai Malach Nusach or composition 366 Mourners Kaddish read 368 final song composition 53

54. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Mincha OVERVIEW: SIDDUR P. 119 706 Ashre (Psalm 145) Magein Avot 130 Chatzi Kaddish Magein Avot with Mincha Leitmotiv short Torah-Reading (cf. weekday) as on Shabbat or with Mincha Leitmotiv 94 Chatzi Kaddish Magein Avot (study mode) 132 Amida beginning till yimloch as on Weekdays (pentatonic) leDor vaDor till end Shabbat Mincha mode 110 Kaddish titkabbal Major (if not special occusation) 112 Aleinu Adonai Malach Nusach or composition 116 Mourners Kaddish read final song (Adon Olam 254, or Yigdal 256 or En Kelohenu 368 or any other song) 54

55. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune leading to the Festival. The candles are ner shel yom tov.]] 180blue Ma Tovu composition copy Shemot 23:14-17 (Shalosh regalim tachog / Driemaal per jaar ) 188blue Candlelighting tune as on Shabbat (if you use one) Shehecheyanu (if you have 2 days, you say it both evenings) 210-220blue Barchu, Shma and its blessings Festival Evening Nusach (Adonai Eloheichem emet and Emet veemuna in Festival Ev. Nusach) 24Bentsh-book Vayedaber Moshe Festival Evening Nusach Chatzi-Kaddish Festival Evening Nusach 222-224blue Silent Amida begin silent 158-160blue for 4th beracha for Festival, use text weekday version (on Shavuot add yourself the needed wording) complete text is found in green temporary siddur 258-260 silent 228-232 blue Continue with Retze till end of Amida silent 55 On 1 st evening of Sukkot ( IF there is no morning service in the congregation) : 546blue/262GREEN Beracha for Lulav 1 st time shaking 682-692blue/230-240GREEN Hallel -- /264GREEN Hakafot with Lulav 242blue/ 98GREEN Kaddish titkabbal (Its a custom to use elaborate melodies) 20-22 Bentsh-book Kiddush [On Sukkot in the Sukkah, on Pesach at the Seder, both after Aleinu, on Shavuot at the meal and study session if there is one.) Festival Melody 246blue/140GREEN Al einu (Adonai Malach or comp.), Kaddish Yatom (read), Adon Olam (composition) On Erev Simchat Torah: Often a shortened Torah service specially tailored to the children, check local minhag. 266green Ata horeta ladaat Hakafot On 1 st evening of Pesach: Keep service short (if there is a cong.service), people want to start the seder. On Erev Shavuot: Nothing special in the service for Shavuot ( the service may be before, after or in the middle of the study session [Tikkun Leil Shavuot]) On Erev Simchat Torah: Years Kaddish

56. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Avonddienst avond weekdag ( simple overview traditional) Intro BARCHU 3Regalim Evening Nusach Shma and its blessings 3Regalim Evening Nusach Mi kamocha in special melody for the festival: Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune Vayedaber Moshe 3Regalim Nusach Chatzi Kaddish 3Regalim Evening Nusach Silent Amida Kiddush 3Regalim tune Aleinu Adonai Malach Nusach or composition Mourners Kaddish read Adon Olam composition 56

57. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Ochtenddienst 1 (Birchot haShachar End of Hallel) 32-38green Birchot haShachar as on Shabbat (Psalm mode) 38-58green Psuke deZimra as on Shabbat (Psalm mode) weekday / shabbat have different texts but all sung in shabbat nusach UNTIL 58green HA-EL BETAATZUMOT special melody for 3Regalim continued for shochen and befi yesharim (= Western tradition) 58-76green Yishtabach till BARCHU and nusach as on Shabbat (Yishtabach Mode) Shma and its blessings weekday / shabbat have different texts in JOTZER but all sung in Yishtabach Mode) 78-80 Amida Avot and Gevurot as on Shabbat (Adonai Malach Nusach) 84 Kedu sha (naaritzcha leDor ) begin as on Shabbat , at leDor vaDor switch to Festival Nusach 258-260green 4 th beracha Kedushat Hayom for Festival Festival Nusach 88-92green Retze till end of Amida Festival Nusach on Sukkot: 546blue/262GREEN Beracha for Lulav 1st time shaking (some congr. dont shake on Shabbat) 230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25 Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav (note: on Pesach (except 1 st day) skip Psalm 115:1-11 and 116:1-11 ) -- IF Bracha after Hallel: end with 3Regalim Cadence 264 on Sukkot : if Hakafot with Lulav (Hoshanot) here OR after Mussaf 98 Kaddish Titkabbal as on Shabbat / on Simchat Torah: Years Kaddish 57

58. Annette M. Boeckler 2014 HOME Colour Overview 3Regalim Ochtenddienst 2 (Torah Service and Mussaf) 100green Torah Service can be as on Shabbat, except adonai adonai el rachum vechanun (same melody for all festivals) on Simchat Torah expanded and with 266green Ata horeta ladaat Hakafot on weekdays Ps 24 /// on Shabbat Ps 29 copies [ADD on 7 th day of Pesach, Shavuot, Shemini Azeret YISKOR with its own melodies ] 116-118green Yehallelu and end of torah service as on Shabbat 58 JUST FOR GENERAL KNOWLEDGE - IF THERE IS MUSSAF: 118green Chatzi Kaddish for Mussaf as on Shabbat (but some use special melodies) on 1st day Pesach/Shmini Azeret Tal/Geshem melody 120-124green Mussaf Amida : beginning ( Avot, Gevurot) Adonai Malach , on 1 st Pesach/ShemAz : Tal/Geshem Mi Sinai Melody 272green Tefillat Tal [on 1 st Pesach] ; ( Geshem [on ShemAz.] not in book) Replace p126 with 258-260 Kedusha till yimloch adonai as on Shabbat le dor va dor till end 3Regalim Nusach [ on Sukkot: Hoshanot / Simchat Tora Hakkafot with their own melodies ] 138green Kaddish titkabbal as on Shabbat (or elaborate one) but on Simchat Torah may be Years Kaddish 270green On Simchat Torah : Leshoni Konanta 140green Aleinu (Adonai Malach or comp.), Mourners Kaddish (read), Ein Kelohenu (comp) as on Shabbat 274green Kiddush (on Sukkot in Sukkah, on Pesach with Matzot) Festival Melody end of service)

59. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Chol Hamo ed Avonddienst [ if Candle lighting : dont use a Chanukka tune, but a tune leading to the Festival. The candles are ner shel shabbat.] 181 -189 Ma Tovu and songs compositions (free style) KABBALAT SHABBAT 191 -201 Psalms 95-99, 29 Kabbalat Shabbat (Adonai Malach Nusach) 202-205 Lecha Dodi composition (if Nusach, mostly Adonai Malach) 207-209 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) MAARIV LE-SHABBAT 210-218 BARCHU and Shema and its special Shabbat nusach with festival identifying motives Blessings 220 VeShamru often composition (Shabbat nusach) 220 Chatzi Kaddish special Shabbat nusach with festival identifying motives 221-240 Silent Shabbat Amida with Yaaleh veyavo (p. 228 blue) 240 Meen Sheva (Magein Avot) Shabbat Evening Nusach (Magein Avot Nusach) 242 Kaddish Titkabbal Adonai Malach Nusach 244 Kiddush for Shabbat Adonai Malach Nusach 246-249 Aleinu Adonai Malach Nusach or composition 250-253 Mourners Kaddish read 254 Adon Olam or Yigdal composition 59

60. Annette M. Boeckler 2014 HOME Colour Overview Shabbat Chol Hamoed Ochtenddienst 32green Adon Olam [0n Pesach to melody Adir Huh] 34-38green Birchot haShachar special Shabbat Psalm mode in Major as every Shabbat 38green Baruch sheamar special Shabbat Psalm mode in Major as every Shabbat 48green Psalm 92 as on Shabbat (skip p. 50-58 [Psalm 150, Baruch Adonai leolam, Ki LAdonai, Nishmat in a Chol haMoed Service!) 244-246green Psalm 136 as on Shabbat 58green HA-EL BETAATZUMOT special melody for 3Regalim continued for shochen and befi yesharim (= Western tradition) 58-76green Yishtabach till BARCHU and nusach as every Shabbat (Yishtabach Mode) Shma and its blessings but Shma 1 st line sung to Festival tune, rest torah trope Mi chamocha to seasonal melody of Festival (see below) 78ff Silent Amida Amida is not repeated if there is a Mussaf (Dutch Minhag). If there is no Mussaf: repeat: 78-80green Amida Avot and Gevurot as on Shabbat ( Adonai Malach Nusach) 84green Kedu sha (naaritzcha leDor) begin as on Shabbat , at leDor vaDor switch to Ahavah Rabba as on Shabbat 258-260green 4 th beracha Kedushat Hayom for Shabbat Ahavah Rabba as on Shabbat BUT INSERT YAALE VEYAVO in Festival Nusach 88-92green Retze till end of Amida Ahavah Rabba as on Shabbat 230-240green Hallel melodies with special seasonal melodies for Ps 118: 1-4 and 25 Pesach : Adir huh tune Shavuot : Akdamut tune Sukkot : Lulav tune / and shake Lulav (note: on Pesach skip Psalm 115:1-11 and 116:1-11 ) -- IF Bracha after Hallel: end with 3Regalim Cadence 98green Kaddish Titkabbal as on Shabbat on Pesach or Sukkot : read Shir haShirim/Kohelet here. 100-118green Toraservice as on Shabbat (but special readings) 120ff, replace IF Mussaf , chant beginning as on Shabbat , but say atta vechartanu text for Shabbat with Festival p. 126 with 258-260 Nusach and continue till end in Festival nusach 140-148green Aleinu , Kaddish, Ein Kelohenu as on Shabbat 60 Show pages in BLUE book Show pages in GREEN book 34 blue 36-40 blue 40 blue 50 blue 260 (ha-el) blue 262-276 blue 278-296 blue 288 blue 682-692 blue 298 blue 300-340 blue 348, but go to 158-160 for Atavechartanu, dont say Yaale veYavo, continue with Reze on p. 352. 360-368 blue

61. Annette M. Boeckler 2014 HOME Colour Overview Additional remarks on Shabbat Chol Hamoed Ochtenddienst LULAV ON SHABBAT It depends on local minhag, if the lulav is taken on Shabbat. If so, use it before Hallel and then during Hallel. You may do the Hakkafot before Kaddish Titkabbal, if you did not do them on the 1 st day. Beracha for Lulav: p. 262 green Hakkafot with Lulav: p. 264green MEGILLAH The Megilla is read on Shabbat Chol haMoed, but if there is none, that is, if the 1 st day of Pesach/Sukkot falls on Shabbat, chant Shir haShirim/Kohelet on the last day of Pesach/on Shemini Atzeret.] KIDDUSH The Kiddush on Chol haMoed Shabbat is said as on a regular Shabbat (also on Friday night.) 61

62. Annette M. Boeckler 2014 HOME Colour Overview How to wave the lulav While standing, hold the lulav with the spine (the long green thick line) towards you , the 2 willows (aravim) should be at your left , the 3 myrtles (hadassim) at your right . While saying the blessing, hold the pitom (the tip) pointing down . After the blessing turn it over, so that the pitom is on top. Wave the lulav after the bracha after the Amida and during Hallel for some verses in Psalm 118 (1-2, 25, and 29). Start wawing it 3 times in to your front (= east , as you are facing east) and continue clockwise. Never wave at adonai. 62 HODU LADONAI KI TOV KI LEOLAM HASDO Front -- right back left up down YOMAR NA YISRAEL KI LEOLAM HASDO Front right back left up down ANA ADONAI HOSHIANA NA, ANA ADONAI HATSLICHA NA. Front -- right back left -- up down 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x 3x

63. Annette M. Boeckler 2014 HOME Colour Overview Notes on Chol Chol Hamo ed Weekdag Avonddienst As on all weekday evenings; however in the silent Weekday Amidah add YAALEH veYAVO. Ochtenddienst Till end of Amida as on all weekday mornings; however in the Weekday Amidah add YAALEH veYAVO. [ IF tefillin are worn, they are removed after the Amidah. [On Sukkot : use the lulav.] Chant Hallel after Weekday Amida ./ On Pesach Half-Hallel. On Sukkot : If you dont do Mussaf, do Hoshanot after Hallel. Conclude this part with Kaddish Titkabal.) There is a Torah reading for Chol hamoed (4 aliyot). IF you do Mussaf, recite the Festival Mussaf. [On Sukkot : After Mussaf do Hoshanot .] 63

64. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel yom tov.] 9 Ma tovu composition ( Grote Ma tovu by Lewandowski) 12 Barchu Mi Sinai High Holiday tune for Evenings 12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv 14 Shema High Holiday melody Veahavta etc. High Holiday torah trope if possible , otherwise regular trop, or silent 16-19 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv 20 Tiku bachodesh shofar composition (Adonai Malach) 20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv 21-30 silent High Holiday Amida 30 Kiddush 3Regalim Nusach , may change to a HHtune at end or composition 31 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 33-34 Mourners Kaddish read 34-35 Adon Olam composition/note High Holidays melodies 64

65. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Avonddienst avond Sjabbat (3 additions) [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel shabbat ve yom tov.] 9 Ma tovu composition ( Grote Ma tovu by Lewandowski) 9-11 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) 12 Barchu Mi Sinai High Holiday tune for Evenings 12-13 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, the chatimot use Mi Sinai HH evening leitmotiv 14 Shema High Holiday melody Veahavta etc. High Holiday torah trope if possible , otherwise regular trop, or silent 16-19 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 18 mi kamocha in Mi Sinai HH Evening leitmotiv 20 Veshamru As on Shabbat ( Magein Avot Nusach Shabbat Evening Nusach ) 20 Tiku bachodesh shofar Composition ( Adonai Malach) 20 Chatzi Kaddish High Holiday Nusach with Mi Sinai HH Evening leitmotiv 21-30 silent High Holiday Amida 30 Vayechulu Shabbat Evening Nusach (Magein Avot Nusach) 30 Kiddush 3Regalim Nusach , may change to a HHtune at end 31 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 33-34 Mourners Kaddish read 34-35 Adon Olam composition/note High Holidays melodies 65

66. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 1 (Birchot haShachar End of Amida) 39-40 Adon Olam, composition (there are special High Holiday compositions) shachar avakeshcha composition 41-46 Birchot haShachar psalm mode as on Shabbat 46-57 Psuke deZimra HH shacharit nusach 57 HAMELECH Mi Sinai tune 58 Yishtabach HH shacharit nusach 58 BARCHU HH shacharit nusach 58-61 Yotzer, Ahavah Rabbah HH shacharit nusach 62 Shema special melodie as on evening 62-65 Veahavta etc. Torah trop or silent 65-66 Adonai elohechem emet etc HH shacharit nusach 67-82 silent High Holiday Amida 82 Avinu Malkenu composition as minhag hamakom 85 Kaddish Titkabal Major (before Torareading) 66

67. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 2 (Torah service) 87-89 opening Torah service as on Shabbat BUT note: before Shema: Adonai Adonai in tune as Minhag haMakom Chant Shma in High Holiday Tune Gadlu and Havu LAdonai by Sulzer (not by Lewand. as on Shabbat) 89-90 there are special melodies for Brachot before Aliyot, but most people dont use them. 90-124 use special High Holiday trope for Torah reading Haftarah is chanted/read as normal 125-126 prayers after Torah reading as normal on Shabbat TEKIYOT: 126 shofar blessings special Nusach 127 shofar calls special melody 128 Psalm 145 as on shabbat (by Sulzer) 130 end of Torah service as on shabbat Yehallelu and Hodo (by Sulzer) 67

68. Annette M. Boeckler 2014 HOME Colour Overview Rosj Hasjana Ochtenddienst 3 (Mussaf till end) 131 Chatzi Kaddish before Mussaf (in nusach leading to Amida) 131 -155 Rosh HaShana Mussaf Amida several High Holiday Nusschaot with Tekiyot Here (p. 144) only here - is the place for the Great Alenu.) 155 Mourners Kaddish read 157 Ein Kelohenu composition 68

69. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Avonddienst avond weekdag [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel yom tov.] In some congregation: introduction 136 Kol Nidre Mi Sinai Tune 163-164 Venislach shehecheyanu Adonai Malach for HH, use: tunes as minhag hamakom 167 Barchu Mi Sinai High Holiday leitmotiv for Evenings 167-168 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, chatimot in HH evening Mi Sinai leitmotiv 169 Shema High Holiday melody Veahavta etc. HH torah trope if possible , or normal trop, or silent 169-172 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv 172 Ki vayom hazeh Adonai Malach for High Holidays 173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv 173-186 silent High Holiday Amida 187-205 Slichot and Vidui special nusach for Slichot and special nusach for Vidui 207-208 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 209-210 Mourners Kaddish read 210-212 Adon Olam composition/note High Holidays melodies 69

70. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Avonddienst avond Sjabbat (3 additions) [ if Candle lighting : dont use a Chanukka tune, but a tune preparing the athmosphere of the day. The candles are ner shel shabbat ve yom tov.] In some congregation: introduction 136 Kol Nidre Mi Sinai Tune 163-164 Venislach shehecheyanu Adonai Malach for HH, use: tunes as minhag hamakom 164-166 Ps 92-93 (= liturgical beginning of shabbat) Adonai Malach (= Western tradition) 167 Barchu Mi Sinai High Holiday leitmotiv for Evenings 167-168 Maariv Aravim - Ahavat Olam Adonai Malach nusach for High Holidays, chatimot in HH evening Mi Sinai leitmotiv 169 Shema High Holiday melody Veahavta etc. HH torah trope if possible , or normal trop, or silent 169-172 Adonai elohechem emet till Hashkiveinu Adonai Malach nusach for High Holidays, p. 171 mi kamocha in Mi Sinai HH Evening leitmotiv 172 Veshamru Magein Avot ( Shabbat Evening Nusach ) 172 Ki vayom hazeh Adonai Malach for High Holidays 173 Chatzi Kaddish High Holiday Nusach with Mi Sinai Evening HH Leitmotiv 173-186 silent High Holiday Amida 187-205 Slichot and Vidui special Nusach for Slichot and special Nusach for Vidui 207-208 Aleinu Adonai Malach Nusach or composition (but NOT the great Alenu) 209-210 Mourners Kaddish read 210-212 Adon Olam composition/note High Holidays melodies 70

71. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Ochtenddienst 1 (Birchot haShachar End of Amida) 215-216 Shachar avakeshcha, Adon Olam composition 217-221 Birchot haShachar psalm mode as on Shabbat 222-252 Psuke deZimra HH shacharit nusach 252 -253 HAMELECH Mi Sinai tune 253 Yishtabach HH shacharit nusach 254 BARCHU HH shacharit nusach 254-258 Yotzer, Ahava Rabbah HH shacharit nusach 259 Shema special melodie as on evening 259-261 Veahavta etc. Torah trop or silent 262 Adonai elohechem emet etc HH shacharit nusach 263-278 silent High Holiday Amida 278-322 Chazarat HaTefillah several HH nuschaot 85 Kaddish Titkabal Major (before Torareading) 71

72. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Ochtenddienst 2 (Torah service) 325-327 opening Torah service as on Shabbat BUT note: before Shema: Adonai Adonai in tune as Minhag haMakom Chant Shma in High Holiday Tune Gadlu and Havu LAdonai by Sulzer (not by Lewand. as on Shabbat) 328 there are special melodies for Brachot before Aliyot, but most people dont use them. 329-342 use special High Holiday trope for Torah reading Haftarah is chanted/read as normal 343-344 prayers after Torah reading as normal on Shabbat 344-346 Psalm 145 as on shabbat (by Sulzer) 347 end of Torah service as on shabbat Yehallelu and Hodo (by Sulzer) 72

73. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Mussaf 361 Chatzi Kaddish before Mussaf (in nusach leading to Amida) 361-376 silent Amida 376-432 Chazarat Hatefillah Mussaf Amida for Yom Kippur several High Holiday Nuschaot with Avodah with special melodies 432 Mourners Kaddish read Continues with Mincha (starting with Torahreading p. 433, see next slide) 73 This is the most important part of the whole day ! Be aware of that when you do it.

74. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Mincha 432 Chatzi Kaddish Magein Avot with Shabbat Mincha Leitmotiv 433-449 Torah Service as on Shabbat Mincha but with Haftara (Jonah) [often lead by the youth in the congregation] 452 Chatzi Kaddish Magein Avot 453-467 silent High Holiday Amida 467 -507 Chazarat HaTefillah several High Holiday Nuschaot 507 Kaddish Titkabbal Major 74 Mincha prepares us for the normal life AFTER this day.

75. Annette M. Boeckler 2014 HOME Colour Overview Yizkor Yizkor is often inserted before Neila, although it originally belonged to Torah Service (remember Lecture by Eli about Yizkor.) Has special melodies/compositions. See the material we got in the course. 75

76. Annette M. Boeckler 2014 HOME Colour Overview Jom Hakipoeriem Neila 510 El Norah Alila traditional Portuguese melody 511 -513 Ashre Magein Avot for High Holidays 513 -514 Uvah leZion Magein Avot for High Holidays 515-516 Yah shimcha composition 517 Chatzi Kaddish for Neila Neila Mi Sinai Tune 518-533 Silent Neila Amida 533-563 Chazarat haTefillah Avot and Gevurot in Neila Tune Rest Nusach as in other HHservices BUT NOTE DIFFERENT TEXT ! and special traditions as Amsterdam (Deutsche) Kedusha, melodies for Ptach Lanu Shaar and other Piyutim 564 -567 Avinu Malkenu composition 567 Kaddish Titkabbal Major / Sukkot Kaddish in preparation for the next festival (special Dutch tradition) 569 FINAL special Havdalah as on end of Shabbat (Weekday mode ) 76

77. Annette M. Boeckler 2014 HOME Colour Overview Avonddienst voor Weekdagen On special days start with special readings , overview see p. 120 . 120 Intro 120 Barchu Ahava Rabba 120-121 Maariv aravim and Ahavat Olam Ahava Rabba 122-126 Shema Major (= liberal tradition), and torah trope 126 -130 Adonai elohechem emet, Geula Eastern Ahava Rabba and Hashkivenu 130 Chatzi Kaddish Eastern Ahava Rabba 132 -152 Silent Weekday-Amida Silent ( On Chanukka, Purim, Yom HaAtzmaut dont forget to insert Al hanissim into the silent Amida (p. 162,164). On Rosh Chodesh dont forget to insert Yaale veyavo (p. 164). 154 Kaddish Titkabbal Magein Avot (study mode) On Purim : Megillat Ester, on Tisha beAv : Echa and Kinot, between Pesach and Shavuot : count the omer, on Chanukkah : light candles; on Saturday evening make Havdalah. special readings on special days, Yom HaShoa (and 4 May), Yom HaZikaron and Yom HaAtzmaut , overview see p. 154, in Elul add Psalm 27. 112 Aleinu Adonai Malach Nusach or composition 116 Mourners Kaddish Read for Shiva Service : see p. 618 or (preferably) use special book. 77

78. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Ma Tovu/ Yigdal/ Adon Olam/ Shachar avakeshcha composition Birchot haShachar Magein Avot Study mode (as Brachot before Pesuke deZimra Magein Avot Study mode Torahreading) End of Pesuke deZimra: Yishtabach Ahavah Rabba mode, but much simpler than Shab. Chazi Kaddish Ahavah Rabba mode, but much simpler than Shab. Barchu Ahavah Rabba mode, but much simpler than Shab. Yotzer Ahavah Rabba mode, but much simpler than Shab. Ahava Rabbah Ahavah Rabba mode, but much simpler than Shab. Shema Ahavah Rabba or Major (=liberale tradition) and Torah Trop . Adonai elohechem Ahavah Rabba mode, but much simpler than Shab. Geula Ahavah Rabba mode, but much simpler than Shab. Weekday Amida Amida is repeated by Chazzan Weekday Nusach (pentatonic) On Chanukka, Purim, Yom HaAtzmaut dont fcorget to insert Al hanissim into the Amida (p. 86-88-90). On Rosh Chodesh dont forget to insert Yaale veyavo (p.84) 78 On Monday and Thursday and on Rosh Chodesh: Short Torah Reading [same Nusach as on Shabbat] . On Rosh Chodesh / Chanukka: [Half] Hallel (half = RCh, full = Chanukka.) Kaddish Titkabbal Magein Avot Study mode Aleinu Adonai Malach Nusach or composition Mourners Kaddish Read On Purim and Tisha beAv: Megillat Esther/Echa

79. Annette M. Boeckler 2014 HOME Colour Overview The Sound of the Morning Service on a Weekday on Shabbat Birchot haShachar Weekday Minor / Study Mode Major (special motives) / Psalm Mode Pesuke deZimra Weekday Minor / Study Mode Major (special motives) / Psalm Mode Yishtabach Weekday Ahavah Rabbah Yishtabach Mode an elaborate festive version of the Shabbat mode Magen Avot. The change into this mode starts already with Nishmat kol chai the specific shabbat ending of Pesuke deZimra. Chazi Kaddish Weekday Ahavah Rabbah Yishtabach Mode Barchu Weekday Ahavah Rabbah Yishtabach Mode Yotzer Weekday Ahavah Rabbah Yishtabach Mode but after the piyyut el adon change into Ahavah Rabba where the first time shabbat is praised. (Some cantors only change at the words kulam ahuvim) Ahava Rabbah Weekday Ahavah Rabbah Shabbat Ahavah Rabbah (elaborate!) Shema Major [German] / Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Adonai elohechem Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Geula Weekday Ahavah Rabbah Shabbat Ahavah Rabbah Amidah Weekday Nusach ( pentatonic ) 1-3 Adonai Malach [change in Ke dusha ] 4-7 Kedushat haYom till end: Ahavah Rabbah 79 Torah Service (sounds the same Weekday and Shabbat but note that Shabbat has a DIFFERENT TEXT !) Frame all in Adonai Malach / Brachot for Aliyot: Eastern Trad: Study Mode [Minor] Western Trad.: Major (in UK often used by Bar/Bat Mitzvahs) Kaddish Titkabbal Study Mode Aleinu Adonai Malach or composition Mourners Kaddish Read

80. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences to a Shabbat Morning Service: is generally much simpler and quicker (people need to go to work). Even if it contains hallel on Rosh Chodesh, this hallel is usually done in the psalm mode for hallel, not with much congregational singing. But this depends on the group and there is freedom in adding songs and texts if all agree and each minyan develops its style. The Weekday Service has NO Yishtabach mode. [Yishtabach mode is the typical feature for Festivals incl. Shabbat. Yishtabach Mode is an elaborate variant of Magen Avot mode (used for example for Maariv Shabbat and Kiddush Shabbat) with elaborate modulations into major very festive! Nothing to mark an odd normal weekday. On Weekdays the nusach changes with Yishtabach, too the blessing after Pesuke deZimra leads over to the next part - but into Weekday Ahavah Rabbah mode [something related to how the last passages of the Amidah are chanted on Shabbat or how El Male Rachamim is done, and others but, as it is weekday, it is kept very simple.] This mode it kept until the end of the shema section, that is until the Amidah starts. So Yishtabach is on weekdays chanted in a simple Ahavah Rabbah Mode! The Weekday Service has NO Adonai Malach Mode for the first three sections of the Amidah. This very majestic major mode is reserved for Shabbat and Festivals. On weekdays there also is no nussach change, the whole weekday Amidah (1-19) is chanted in a very specific mode for the Amidah, a nusach based on a pentatonic scale.There is a composed kedushah that was introduced in the cantorial school at HUC this is indeed based on the Weekday Amidah Mode, although very elaborate but uses the scale of the mode. Different start. This is usually not a problem as many people use the Weekday birkhat haShachar on Shabbat! But Shabbat has its very own nusach for Birchot haShachar and Psuke deZimra but as this is usually done by lay shlichey tzibbur, they usually do on shabbat what they know from Weekdays, pity ... (on shabbat its all in major, not in minor as on weekdays.) 80

81. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 81 Character of service Progressive services tend to contain more songs than traditional services. In a Progressive service you may encounter prayer that are not chanted but read , a custom that started already in the 19 th cent. The likelihood that a modern meditation is inserted into the service is more likely in the progressive service; traditional services may have short study units at the end; masorti services sometimes use a prayerbook that offers a variety of mediations for free choice by the person praying for him/herself. Traditional services are chanted. The Weekday tunes are very different from the shabbat tunes (nusach is the sound of time, thus each time has its sound.) A progressive service is clergy lead , the others join in with exactly the same words/tune/rhythm or listen. A traditional service is more congregational lead : everybody mumbles their prayers and the prayer leader tries to coordinate and synchronize where necessary. A traditional service lives form the togetherness of different voices. Progressive WEEKDAY services are seldom It is seldom that a liberal or progressive synagogue offers regular daily morning services Some liberal or reform synagogues offer during term times Weekday Services on Sunday mornings before or parallel to the start of the childrens cheder. Some Rabbinical Seminaries offer regular daily services.

82. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 82 Textual differences Traditional vs Progressive (SUMMARY) The main differences are at the beginning and at the end. Inbetween note some textual variants, especially in the Yotzer (the progressive trad. has no Kedushah) and in the Weekday Amidah (especially the last passages). Pesuke deZimra may be abridged in a masorti service . It is definitely abridged in a Reform service and there also contains alternative texts and very different in a Liberal Weekday service . Whereas Progressive services have a congregational start, traditional services have a relaxed beginning, as Birkhat haShakhar is peoples private preparation, everybody comes in at his/her time and prepares in his/her own time, until people spiritually unite for Barchu. Liberal and Reform services, however, usually start together with a commonly chanted Mah Tovuh a tradition that started in 19 th century Germany (majestic choral intro piece while clergy enters the room). In a traditional service Mah Tovuh is never sung or even heard. After the Amidah follows in a traditional service private meditative time (Tachanun), prayers about the fragility of live, our limitations and our hope. A traditional service concludes slowly ... Ashrei ... Uvah leTzion Goel (a third Kedushah corresponding to the Kedushah in the Yotzer, so that the congregational praise of Gods holiness is framed by two private ones) and several study texts (Aleinu and the psalm of the day) to give people the opportunity to say Kaddish. A Progressive Service concludes quickly : just Aleinu , Kaddish (usually said together and this is usually also the only Kaddish in the whole service). Progressive Services usually end similarly as they have started: with a jointly sung congregational hymn (very often Adon Olam , but many other modern songs can be chosen on weekdays as well.)

83. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 83 Differences in detail in the opening part Singers [Masorti customs] ... [private, people are coming, donning tallit and tefillin, begin their prayer] leader usually starts to lead with morning blessings p. 16 ... ... till first shema [private]. ] very short silence for private study [ p. 36 Ps 30 Mizmor shir chanukkat habayit Kaddish Yatom [if minyan] p. 40 BARUKH SHE-AMAR 1Chron 16:8-36 various psalm verses, mostly from psalm 95-99 Psalm 100 Daily Hallel (Ashre till Psalm 150) p. 54 Vayevarech David ... (1 Chron 29:10- 13; Neh 9:6-11; Exod 14:30-15:19 ( shirat haYam ) p. 58 YISHTABACH Chazi Kaddish to prepare Barchu. Sed haTefillot [Reform] p. 32 congregational MAH TOVU [sometimes preceded by a niggun] Entering Ourselves containing a choice of the traditional texts as , , morning blessings, either or , often read in English. Study passage Preparing to encounter God p. 39 BARUKH SHE-AMAR evtl. psalm, often congregationally sung Psalm 150 (Hallelu...) the siddur offers the trad. daily psalms, Ashrei, shirat haYam [without intro] and Vayevarech David after Ps 150 before p. 53 YISHTABACH the siddur prints Chazi Kaddish, but often omitted. Lev Chadash [Liberal] p. 29 congregational MAH TOVU while standing Modern meditation in English Teach us to see each new day as a token of your love ... song : shachar avakeshcha passage from creation story for the day p. 36 BARUKH SHE-AMAR [abridged] one psalm for the day [new choices] p. 48 YISHTABACH [abridged]

84. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 84 Differences in texts There are variants between the movements, the most imporant differences is the version of the Yotzer (the 1st blessing before the Shema) and the versions of the Weekday Amidah. It is worth to compare these texts in detail to understand the differences. Singers [Masorti customs] Yotzer can be found on pages 62 67 in the green centenary edition. The Weekday Amidah can be found on pages 74-95 . Sed haTefillot [Reform] Yotzer can be found on page 55 The Creator of the Universe. The Daily Amidah can be found on pages 74-86 . Lev Chadash [Liberal] Yotzer can be found on page 49 We praise you .... The Daily Prayer can be found on pages 52-61.

85. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 85 Differences in the concluding part Singers [Masorti customs] After the Amidah follow very personal prayers, said in silence, tachanun . It has become custom to sing shomer Yisrael p. 116 , together with a composed tune. p. 132 ASHREI p. 134 Lamenatzeach mizmor leDavid (Ps 20) p. 136 Uvah LeTzion Goel ... (= Kedushah deSitra) KADDISH TITKABBAL p. 140 Aleinu KADDISH YATOM psalm of the day KADDISH YATOM evtl. other psalm(s) or study KADDISH YATOM Reform p. 310 Aleinu (either new version with asher bachar anu ... or the traditional text.) KADDISH YATOM often said together SONG Liberal p. 520 Aleinu (with asher sam chelkeinu leyached et shemo ...) Vorspruch (meditation before Kaddish) KADDISH YATOM said together SONG Adom Olam or other FINAL BLESSING

86. Annette M. Boeckler 2014 HOME Colour Overview The Weekday Morning Service Main differences between Liberal, Reform, Masorti, Traditional in the UK 86 Differences After Amidah and Weekday Torah Service Monday/Thursday Singers [Masorti customs] After the Amidah follow very personal prayers, said in silence, tachanun . It has become custom to sing shomer Yisrael p. 116, together with a composed tune. Then follows Ashrei, Uva Letzion, ... or Monday and Thursday: torah reading with text of first Aliyah of shabbat with 3 Call ups: Kohen, Levi and one Israel. The leyning is done quickly. The framing is short and quick: just Vayehi binoa and gadlu and procession at the beginning; hagbaah, yehallelu and Ladonai Haaretz (Ps 24) [quickly, no dramatic tune!] at the end. Reform --------------- After the Amidah (which can be done with repetition or only the first three passages aloud or one loud Amidah altogether) follows immediately Aleinu or the torah service , p. 88-93. The text is identical with the traditional liturgy. Usually there is only one Aliyah. Usually Reform congregations do not have Kohen and Levi (but EDRS for eG has). The text can be chanted or read. Any passsage of the parashah can be chosen. Liberal -------------- After the Amidah (which is done loud altogether, most of the texts read in English ) follows immediately Aleinu . The Reading of the Torah on Weekdays (p. 490-496) begins with Hakhel et ha-am Assemble the people ... (Deut 31:12f), followed by the congregational song vehaer eneinu , the Shema with echad , gadlu and procession. It concludes with yehallelu , Psalm 24 and Vezot haberit This is the covenant ... (Jer 31:31f), ending with the congregational song hashiveinu . note the different text!

87. Annette M. Boeckler 2014 HOME Colour Overview Sjabbat Torah Reading (Tora Reading Shabbat Morning) Ein Kamochah Av haRachamim 96 Vayehi binsoah Major or composition Shema / echad / 96 gadlu Major or composition 96 Lecha Adonai Major or composition Brachah before the reading in Major (= Dutch tradition, inherited from portugese tradition) Calls (yaamod / taamod), misheberachs 306-322 in Major Brachah after the reading Major (anticipates call for next one) [if Chatzi Kaddish before Maftir: study mode or Ahavah Rabbah] Vezot hatorah melody in Major Bracha before Haftarah in Haftara trop (or read if Haftarah is read) Bracha after Haftarah special melody Misheberach for congregation Ashre 100 Yehallelu and Hodo al eretz Major 100 Psalm 29 Major /composition 102 uvnucho yomar composition 87 Not on weekdays Not on weekdays Not on weekdays Psalm 24 on weekdays on Monday/Thursday/ Rosh Chodesh Weekdays Not on weekdays Not on weekdays Not on weekdays ON WEEKDAYS ONLY 3 ALIYOT, ONLY SHORT TEXT IS READ (Traditionally the first Shabbat Aliya but split into 3 Aliyot, see the divisions in a Tikkun Korim.) ON ROSH CHODESH 4 Aliyot and special torah reading.

88. Annette M. Boeckler 2014 HOME Colour Overview Nusach in Colour dr Annette M. Boeckler with rabbijn David Lilienthal and prof. dr. Eli Schleifer 2009 88 Training of shelichay tzibbur 2007-2009 Final Version: 08/06/2009